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Watch me suffer [gasp, sniff], yes, SUFFER!!

Watch me suffer [gasp, sniff], yes, SUFFER!! published on No Comments on Watch me suffer [gasp, sniff], yes, SUFFER!!

Because I’m reading My Husband Betty again, I went to Helen Boyd’s blog, thence to her personal site, where she linked to media appearances. From there I hit upon a clip from All My Children in which the transgender character goes to a transgender support group. Betty is in the clip, which is why the clip was linked from Boyd’s site.

I have mixed feelings about the clip. On one hand, I appreciated the presence of all the other support group members, who were transgender activists and authors, appearing under their own names. I think that it’s important to show all types of people in media so that all types of people can identify with the media figures. Furthermore, I also think it’s important that all types of people be shown not as sicko freaks, but as happy, well-adjusted individuals, which all of the activists appearing under their own names appeared to be.

That being said, the clip really blew my mind because there was such a difference in presentation between the AMC trans woman and the trans activists. The trans activists, if anything, underplayed their roles, with a very matter-of-fact, level tone and no histrionic affectation, which gave the support group scene a very naturalistic air, as if the viewers were eavesdropping. By contrast, the AMC trans woman was a barely coherent pile of melodramatic jelly [behaving like the subject line], in the manner of all soap operatic characters when they are on the edge of something momentous [which they always are]. The acting style of the person who played the AMC trans woman did not fit with the rest of the players in the support group scene, which distracted me to no end.

Perhaps I shouldn’t say that the AMC trans woman’s character did not fit into the support group scene. After all, the AMC trans woman’s character is a soap operatic type, and this is a soap opera. Therefore, with the insertion of an underplayed, naturalistic scene with well-adjusted individuals, the support group scene and the well-adjusted trans activists are the things that do not fit in the soap opera. Soap operas thrive on ostentatious suffering and angst, sad endings, bad turns of events.  I think the goal of trans inclusion is laudable, but it’s hard to make trans people look happy, healthy and productive when the TV universe into which they are being introduced makes EVERYONE look miserable, perverted and stunted. So is it really much of a step toward trans understanding, inclusivity and tolerance to turn them into hammily degraded victims, just like almost everyone else in soap operas?

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