I have no idea where all the reviewers of Ex Machina get off, thinking that it’s some novel, philosophical, highly intelligent piece of sci-fi movie making. It’s not. The first two thirds contain the insufferable misogynist bloviation of two straight cis dudes, objectifying all the female characters in the most blatant, unoriginal, and uninteresting ways possible. I mean, seriously — one of the robots, Kiyoko, is so objectified that she has no language, thus making her the ultimate silent, submissive, docile Asian woman stereotype. The last third of the movie contains the supposedly narratively inevitable consequences of their assholery, in which the women become scary and murder the dudes. Then all the women of color either die or sacrifice themselves so that the white woman can escape to her dreams of white-collar big-city life, and it’s all so tedious and sludgy and dull…except for the hotel where it was filmed. That was pretty. But aesthetically pleasing scenery cannot compensate for raging misogyny and racism.
This enraged critique of Ex Machina owes much to Sharon Chang’s incisive analysis, which goes into much more depth.
EDIT: And here’s a perfect example of someone analyzing queer subtexts in Ex Machina and completely failing to call out the racism and sexism. Sorry, Jeffrey Bloomer. I really don’t think that a white woman reconstituting herself from the bodies of women of color is merely a moment of queer transformation that should be celebrated. It’s also a reification of an ongoing colonialist project that should be acknowledged and critiqued.