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Dead or Alive, Too Hard to Swallow — Part I Addendum — Extreme Homoeroticism

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Back when I was discussing Dead or Alive’s mischievous deployment of homoeroticism in their music and videos, I completely passed I’ll Save You All My Kisses, from Mad, Bad, and Dangerous to Know [1986]. I’m here to rectify this unforgivably grievous omission because, not only is the video for it hilarious, but it’s also so extremely homoerotic that I could have used it as my sole piece of evidence.

In the vid, Pete is dancing with his back to a fence, from which guys in tight jeans are hanging avidly. Steve Coy and Mike Percy patrol the ground, smacking baseball bats into their hands menacingly, presumably to keep the groupies from touching Pete. I doubt the groupies would be able to touch much, though, as Pete’s leather jacket is armored with approximately 700 zillion rhinestones, and his embossed steel codpiece/chastity belt/jockstrap thing is firmly chained to said jacket. Pete makes faces at the camera, deliberately pointing away from the groupies. The members of the audience grow increasingly excited, straddling the top of the fence and ripping off their shirts. After all this preparation, the video ends.

I have to say that, whenever I watch this video, I feel like I’m watching some crappy commercial cut edited down for length or unobjectionability. I feel like there was a moment to which all the fence climbing and baseball bat whacking was building, some confrontation between groupies and guards, of which I was tragically deprived. Phooey.

 

Other parts of this essay:

Part I — The Homoeroticism.

Part II — The Genderqueering.

Part III — Effects on the Band.

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