…I just saw the music video for the first time, and it’s one of the purest, most horrible depictions I’ve seen of Brown People As Props On Great White Hunter’s [Misogynist, Racist, Objectifying] Journey. The singer, who’s not only white, but also dressed in white, just in case we forgot he’s white, mouths the lyrics while plowing through crowds of subcontinental Indians. He grows increasingly irritated as people keep him from shoving his way through the crowd. I like to imagine that all the extras aren’t following the direction to obstruct the singer, but instead are pretending to go about their daily business, unimpressed by some white dude who thinks that the world should clear a path for his penis. Quick cuts reveal that he’s chasing after an African woman, who inexplicably has pointless designs painted on her brows and cheeks. The end up in the leaves of a swampy forest, rolling around. I think they’re supposed to be contending, but the slow motion just makes it seem like they’re doing some sort of badly coordinated tumbling routine. Brilliant.
On a purely cinematographical level, this video also fails miserably because it’s filmed during the daytime. However, the first lines of the song — “Dark in the city / Night is a wire / Steam in the subway / Alleys afire” — describe an evocative setting in which the exhalations from the underground mirror the singer’s panting, while the fire in the dead ends links into his energy and urgency. Also I would like to point out that this song happens at night, which heightens the whole singer=wolf metaphor by connoting wolves baying at the moon. The nocturnal setting is essential to the song, but the video discards it in favor of daylight for no apparent reason. Why? They couldn’t wait a few hours? They didn’t have enough spotlights? Who knows? This music video stinks all around.