This parody commercial, in which the PS2 is personified as a Rubenesque girl with glasses and short brown hair and the Wii is a tall, scrawny girl with no glasses and blond curly hair, is annoying. First, it sets up a false dichotomy between intelligent, down-to-earth, regular-looking traits and gregarious, impulsive, stereotypically attractive traits. It suggests that the first are undesirable and the latter are desirable, but whether a certain mix of traits is desirable depends on one’s tastes. I personally have the hots for the Rubenesque girl in terms of character and physical appearance, but I really like the scrawny girl’s flirtiness. However, in the framework of the commercial, the Rubenesque girl is ultimately an arrogant, castrating, mannish lesbian and fat slob, and the scrawny girl is a stupid, push-over, super-femmy, breakable slut, and neither one of them is ultimately desirable, so I think the parody just shot itself in the foot. The only way I’d like them both was if they were in 1:6 or 1:3.
Posts categoriezed as Uncategorized
Mein Herz Brennt in Hellboy 2 trailer!
Rammstein’s Mein Herz Brennt appears in the Hellboy 2 trailer! Appropriately enough for a movie about supernatural characters from Hell, some of the lyrics go:
Sie kommen zu euch in der Nacht
Dämonen Geister schwarze Feen
sie kriechen aus dem Kellerschacht
und werden unter euer Bettzeug sehen
They come to you in the night —
Demons, ghosts, darkling fae
They creep out from the cellar shaft
And spy under your bedclothes
I’m over my Rammstein obsession, and I’m not particularly thrilled by the Hellboy series, but I do think that Rammstein and Hellboy are a perfect marriage of tongue-in-cheek, mordant humor and comic-bookish violence.
I hate it when roosters get involved: Puzzling 42 Below Vodka ads
Saatchi and Saatchi created a print ad campaign for 42 Below Vodka that apparently won a Clio. God knows why. I mean, the rebus idea is really clever, but I don’t understand why it’s a good thing that your alcoholic beverage promotes drinking your way to the White House or getting crabs.
And then there’s the two following examples of the campaign, which use the typical straight male fear of other penises to make fun of 1) gay men and 2) trans women. [And don’t get me started on how the ad with the man and the trans woman was titled “Transvestite.” I interpreted the ad about being about a man and a woman who happened to have a dick. A woman who happens to have a dick is transgendered, but not necessarily a transvestite. People can be so stupid sometimes.]
LHF revamp…now with tooniness!
After my enjoyable experience with Boopsie, I tried recreating the same tooniness last night in realistic Will, using only M3’s standard morphs. So, basically, inspired by my love for “The Girl” and the toony morphs of Boopsie, I tried to get a toony Will out of a realistic character and his realistic morphs. Trying to get a toony character out of standard morphs made Will look like an origami lemur. I failed so badly and disappointingly that I’m not going to even show the results.
Fortunately, the creator of Boopsie also has similar custom morph packages for other characters. So I got Rayne, a set of toony morphs for V3. [V3 is the main female base I use for characters. Dolly nerds can think of her as a CG 1.5.] I will now be redoing all my characters, male and female, young and old, child and adult, on V3 bases with Rayne morphs…or on other bodies with V3/Rayne heads swapped on, if I can ever figure out how to work a head swap. Blllllaaaagh.
3-D freeform modeling app freeware, Teddy
Poking around on the BoingBoing post about Plushie, I found that someone linked to another program also worked on by Takeo Igarashi. This program, called Teddy, is freeware allowing creating of digital 3-D models via freeform strokes. And — here’s the exciting thing for people who are interesting in 3-D modeling stuff — YOU CAN EXPORT YOUR CREATIONS AS OBJS! The OBJ format is a pretty-much-universal format for 3-D models — for example, the models that I’ve been using for my LHF digital characters are in OBJ format. Perhaps this program could aid in prop creation for LHF??
Real-time plushie pattern creator from 3-D CGI model
Watch this video demonstrating a new app. The app, titled Plushie, allows users to cut, shape and otherwise deform a virtual 3-D plush blob. As the blob is deformed, the righthand window shows a constantly updated version of the pattern pieces needed to created the blob out of fabric. It may be difficult to understand the narrator, a Japanese woman who speaks English as a second language, but the pictures explain everything clearly. Now if only the same principles could somehow be applied to doll sculpting….
Lovingly rendered with NO attention to scale or perspective
I just saw some Spike porn [photomanipulations], and they were done with such obvious wanking love for the character [yay!] and such amateurish pasting, scaling and PSP brush effects [boo!] that my gorge couldn’t decide whether to rise or fall, so it’s still bubbling up and down somewhere around my trachea. I am going to run far, far away from the site and play with my agreeably scaled, posed, pasted and lit dolls and models. For all that I talk about sex, think about sex and run my characters around the subject of sex, I much prefer suggestion, double entendre and innuendo than explicit depictions.
Seriously in love with “The Girl”
I wonder what the LHF characters would look like with toony heads all based on “The Girl” and more realistic bodies? Maybe they would achieve that doll-like look that I’m going for. Do you think they’d look like BeGoth characters? Here’s one who reminds me very much of Will.
Toony Will
I’m getting more mileage out of “The Girl” with a new morph pack, Boopsie, which I got with my $25 Daz gift certificate. [Tutorials that are accepted and published on the Web site are recompensed with store credit in the Web shop!!] Tonight I fucked off and made a Will “The Girl.” He looks, unsurprisingly enough, disgustingly cute as a toon. I’m sure other flamboyant LHF characters, such as Anneka, Velvette, Rori, Dom and Baozha, would also flourish fabulously in a toony style, but the other 50%, including Mark, Alexandra, Max, Minerva, Leonora, Chow, etc., deserve a more subdued and realistic rendering style. Forthwith, the fabulous, flirty and fun Will toon!!
Guerdon the Bald-Faced, staunch little goblin guard
Here’s my custom “The Girl” character, Guerdon, as she stands tonight [not finished]. I Made her custom body shape [longer legs, smaller hands, longer neck, bigger feet] with “The Girl” base package, no extra morphs. Her homely, pointy face is also entirely an original product of several tedious hours with D-Forms, although I did use “The Girl” morph pack to create her expression of fierce concentration. Corset, shorts, boots and arm warmer from Glorious Goth. Streamer sleeves from The Dress. Hat from The Dress Headpiece. Shoulder pads from Planet Vixens Toxic II freebie. The skin texture is my work, and it incorporates seamless skin tiles by kabuki-chan at Renderosity and PSP 7 Stitches brushes by slshimerdla at Renderosity as well.
Anyway, she’s a well-disciplined member of the Goblin Royal Guard who has been trained since she was a toddler to protect the life of the Goblin Queen. Highly skilled and unquestioningly devoted, she knows the seven defensive arts of the Lower Orders and the eight tongues of the Roundaway world, making her equally talented in warcraft or espionage.
She was the one who intercepted the Elvish assassin who tried to kill the Queen during last year’s Festival of Worms. For this feat of selfless bravery, she suffered a disfiguring amputation of her eyebrows, sheared off by the vengeful assassin before he expired, choked to death by Guerdon’s hat streamer. The assassin intended to shame Guerdon by removing from her the most prized features of goblin physiognomy: their thick, swooping, expressive eyebrows. [Elves often take goblin eyebrows like scalps in battle, and goblin soldiers have been known to kill themselves before submitting to such dishonor.] Guerdon, though, was not to be daunted, and she had stitches tattooed in place of her brows. This is how she came to be known as Guerdon the Bald-Faced, in reference to her eyebrowlessness, as well as her general courage.
Buffy/Spike animated moods
My favorite icon in this set is “awake,” in which Spike is saying, “Who lit the bloody fire under my arse?!” Doo nah, doo nah, I love James Marsters, which probably explains why I now never watch BTVS — because I love him so much.
I have a crush on “The Girl.”
I figured out why I like “The Girl” so much…She looks like a My Scene Barbie doll, and I love the stylized features of this line. Here’s some background on “The Girl,” including an interview with the creator, concept designs and a gallery.
I’m currently making a custom goblin morph for “The Girl,” no commercial morph packs required. The custom morph involves a primitive form of 3-D modeling with Daz’ version of magnets called D-Forms. It’s horribly fiddly and time-consuming, but a lot of fun to put my own impressions on an existing character. Right now she has big pointy ears, a little pointy jutting chin, a pointy little beaky nose, high cheekbones, slightly sunken cheeks and a high, sloping forehead. I want to sink her temples and add a mohawk of spikes on her head. 😀
With a flying leap, she left her shirt behind and soared into the sky…
I was playing with a new fig tonight, the toonily proportioned “The Girl.” Her gravity-defying pose and wide, rubbery mouth just call for exuberant poses. Isn’t she cute? She was wearing a skintight boob squisher but I kept getting poke-through on every pose, so I went for second skin clothing.
Gareth
Here’s Gareth, a long-time character of mine. He’s made off a Will base because I’ve been using that physique for characters for decades. Since he’s a predator of ideas, he has many bestial characteristics, including talons, vespertilian wings, feline eyes, big pointy ears, hollow bones and a predatorial sensibility, highly apparent here.
Attacked in the paint factory!!
“They just threw all the black and blue paint in my eyes and ran!” Since I successfully downloaded the merchant resource Gothifully Yours, I’ve been reveling in the pursuit of hyperbolic makeup. See Will below in a black and blue theme. Maybe I’ll make a whole black-and-blue texture set for a freebie… Please note that Will does not usually wear cool colors or drippy styles, but the result is pretty awesome, in an amusing sort of way.
The greater the glitter, the closer to God.
Three layers of glittery eyeshadow, magenta lipstick and blush!!!!! I’ve been applying virtual makeup for the last few hours. My artistic vision is becoming reality. Who knew my artistic vision was so goddamned TACKY? :p
Oh YEAH BABY!!! Texturing in progress
I’m drawing again…only, in the terminology of 3-D modeling, they call it “texturing.” But yeah, I’m drawing people’s faces. Last night and this morning I used a variety of free texture resources, Photoshop brushes, digital makeup kits [yeah, they exist] and some merchant resources [digital makeup you pay for], threw it all in the blender of my creative mind and came out with this… It’s a head texture in progress for Will. I thnk it could use more eyeshadow…or sparkles…or sparkly eyeshadow. But it still represents the elaborate and overdone style of makeup that is the pinnacle of attractiveness according to my drag-queeny imagination. [His head is a different color from his body because I’m only working on the head now.]
Crap I downloaded, only to be foiled by my unresponsive flash drive
http://www.sharecg.com/v/18206/poser/Paper-coffee-cup
http://www.sharecg.com/v/17602/texture/Makeup-Kit-for-Preteen-Vicky
http://www.sharecg.com/v/13356/texture/V4-Lip-Colors?division_id=6
Gothfully Yours sampler on Renderosity
5 seamless skin tiles on Renderosity
Mega lip guides by SnowSultan on Renderosity
http://www.daz3d.com/i.x/shop/itemdetails/-/?item=1098&cat=57 V3 seam guides here
http://www.file-upload.net/member/download-3486/Face-intems2007.zip.html
making custom brushes in PSP http://www.daz3d.com/i.x/tutorial/tutorial/-/?id=1643
Mat poses
http://www.renderosity.com/mod/tutorial/index.php?print=606 making a full mat pose using Mat Pose Editor
http://www.renderosity.com/mod/tutorial/index.php?print=60 another on making a full mat pose
http://www.daz3d.com/i.x/tutorial/tutorial/-/tutorial?id=1142 making a partial mat pose
http://forum.daz3d.com/viewtopic.php?t=37454&highlight=partial+mat+poses Daz equivalent of mat poses
Daz freebies hide here.
Skin-making geekery
http://www.thebluesdragon.com/ftp/Tutorial-Skin.pdf Sarsa’s tutorial
http://forum.daz3d.com/viewtopic.php?t=66730&postdays=0&postorder=asc&start=54 some supplements to Sarsa’s tutorial
http://www.daz3d.com/i.x/tutorial/tutorial/-/?id=2123 DAZ-hosted tutorial
And apparently there are some raw high-res JPEGS on Renderotica for texturing…
I should make my own base for people…dammit!!!
Filling a linguistic void: “Murine”
Say you want to describe someone who looks like a rat or a mouse with a kind of long pointy face and prominent front teeth and twitchy disposition. “Mousy” indicates a shy person, which is not quite right, while “rat-like” has negative connotations [sorry, rats — but it’s true], and “rodent-like” is too general, given that rodents go from cabybaras to jerboas.
As a solution, I present to you the word “murine.” It means “of or pertaining to the family Muridae, a group that includes mice and rats.” It comes from the genitive plural murinus, which means “of or belonging to mice.” It also has deceptively tranquil and pleasing connotations, due to its accidental homophony with “marine.”
Murine would make a good name for a murine therianthrope!!
Ooooh, anguineous parts!
Snake parts for 3-D models! I love snakes.
A song to slit your wrists to: A Perfect Circle’s cover of Imagine
Right here is an example of how a song originally done by John Lennon as a light, uplifting, optimistic, sincere, profoundly joyful song can be turned into the trudging, ominous dirge of recruiting cult zombies. It’s not just the minor keys, the slow-down and the slowly, painfully thrashing drums. It’s the way that the vocalist flattens his voice and draws out the least expected words — “Imagine all the peeeeeeople…” Yeah, “imagine all the people” all right. When they’re done listening to this song, they’ll be too brainwashed to imagine anything. It’s pretty awesome as reinterpretations go. Listen to it.
Marilyn Manson does drag.
Okay, for all that he kinda whines in his earlier albums, I still think Marilyn Manson is cool because he’s really smart and thoughtful and coherent and also, more to the point here, I greatly admire his sense of style. He does rock-star drag oh so very well, and he applies his makeup with a trowel. In this sense, he reminds me of a Ziggy-era David Bowie, only less of a fashion plate and more of a flamboyant costume-jewelry type. Check out, for example, the teeth this this cover of Tainted Love.
How to figure out lighting in Daz: Cheat.
Wow! Finally, after months of tinkering with 3-D modeling, I finally rendered one of the basic units of an LHF comic: a fully stocked interior scene with a character. Below Chow sits in his study, reflecting. [Please note his poster of the Chinatown gate on the wall! I took that picture.] I overcame my difficulties with lighting by cheating. I stole some lights from a daytime exterior set. They were set not to cast shadows, so I added a spotlight over Chow’s table and set it to cast raytraced shadows. Oh yeah, I also removed the ceiling from Chow’s study so I could actually shine lights in because my skills are not sophisticated enough to illuminate a room with a roof.
There’s also a view of the full set below. Yes, I’m aware that Chow’s boot is running into the mat. But that’s never showing up in the final pictures, so I’m ignoring that comment.
Lesbian speed dating.
More Big Gay Sketch Show. You could insert any characters of your choice, though. The sound in the background was me falling out of my chair in laughter.
“Home Depot! Home Depot! HOME DEPOT!!!!!”
Lesbian phone sex, courtesy of the Big Gay Sketch Comedy. Please watch the woman who makes the call; her practically boneless wriggling shows what a gifted physical comedian she is. Watch her feet….
Harpy parts
Ooooh, check this out…harpy parts for 3-D models! Hell yeah that’s awesome!!!
Bad-ass unicorn therianthrope [draft]
Here’s a unicorn therianthrope character using the same skin mat as my bad-ass octopus therianthrope. [I like the skin…it’s versatile for a myriad characters.] Yes, I understand that you can see part of her tail through her butt…but she’s just a draft.
Ray Wise is a handsome Devil.
So E.R. is the serious medical drama show, and Scrubs is the comedic, nudge-nudge, wink-wink, clowning cousin — same subject, different tone. Likewise, while Supernatural is the serious, heavy-handed, philosophical and emotionally weighty show about monster hunters, Reaper, which I just watched [listened to, rather, at work] a few eps of, is the silly soufflee version. It concerns a doofus 20-something who is a bounty hunter for the Devil, returning escaped souls to Hell with the help of his doofus friends and the doofus person he wants to be his girlfriend.
Really nothing about Reaper is original. Even the cleverest portions, set at the hellish hardware warehouse/store where all the doofuses slave away under a sadistically cheerful weirdo brainwashed by corporate affirmations, have been taken from countless movies and TV shows. I always appreciate a good work-is-hell theme, but the silliness in the hardware story kept reminding me of George’s awkward, excruciating temp work and scarily perky manager in Dead Like Me or Buffy’s McJob in BTVS. Reaper owes a lot, perhaps too much, to better shows about demon slayers that have gone before it.
The best part, a reason well worth sticking around, is Ray Wise as the Devil. Like Mick Jagger sings in Sympathy for the Devil, Wise’s Satan is “a man of wealth and taste,” always impeccably dressed and wearing that smug smirk of a privileged dead white guy who has omnipotence in his sector. He treats the reaper doofus with amusing avuncularity while constantly trying to mind-fuck him. You can tell Wise really digs playing the charming rascal, and he sure does it well because the screen lights up [with hellfire :p ] whenever he glides majestically on.
That said, I recommend Reaper. I wouldn’t go out of my way to watch it, but then again, I never really go out of my way to watch anything on my TV. If you’re looking for a low-key, silly time-passer that doesn’t take itself that seriously, see streaming eps of Reaper on the CW Web site, which I currently can’t dig up a link to. Me, I’m gonna go to the angsty side of the subject and listen to some Supernatural. I hear there were some vampires in a recent ep….
Daz scripts
http://forum.daz3d.com/viewtopic.php?t=42376&highlight=transferring+morphs Morph Loader?
http://forum.daz3d.com/viewtopic.php?t=54215&highlight=export+obj+daz settings for OBJ export?
Where’s the werewolf?
Over there…no, wait…she ran away. Fortunately I took this picture. She shares the same atrocious fashion sense as all of my characters, as well as the Signature MW Evil Smirk. I like her blocky face and her horsey teeth. 😀 She has yet to tell me her name. Oh wait…she just did. It’s Kelly Ashley Brittany Dupree.
Helen Boyd will be at Gender Crash next week!
This is the author of My Husband Betty and She’s Not the Man I Married, which I have discussed previously in two entries [1 and 2]. She’s a writer and activist for transgender rights, and you should go see her if interested. I am excited to hear her in person. I really hope her reading/presentation is good….
Gender Crash Open mic
For poets/spoken wordsters/literary geeks/journal
writers/queers/transgender/gender queers
Feature: Helen Boyd!
Helen Boyd is the author of My Husband Betty and She’s Not the Man I
Married. She speaks and writes regularly on becoming queer and being
the partner of a trans person, and her writing has been published in
anthologies edited by Vern Bullough, Mattilda, and Rachel Kramer
Bussel. Her blog (en)gender can be found at www.myhusbandbetty.com.
Bring your Poetry, Spoken Word, Slam Style Poems, Essays, Acoustic
Music, Performance, Singing, Drag, and Dance are all welcome. Where
you can be a Rock Star! for at least 3 minutes!
Doors open at 7p show at 7:30pm at Spontaneous Celebrations, 45
Danforth St, Jamaica Plain, Orange line, Stony brook stop, all ages $5
– 10 at the door, open to everyone, more info?
http://www.gendercrash.com
Medusa de la Mer draft
Okay, she was going to be a mermaid with head tentacles, but she informed me that her tentacles actually go on the lower half of her body, so I had to oblige. You don’t contradict someone with teeth [and muscles] like that. I need to work on making her octopus parts less plastic and more like shiny wet skin.
She is dancing happily because I constructed her with her tentacles in the appropriate place [on her hips, not on her head]. Please don’t ask how she goes to the bathroom or reproduces. It’s magic.
Medusa de la Mer, or, Distracted musings of a therianthropophile
I just discovered that I have a free octopus model and a free mertail model. I should make a merperson with tentacular [yes, that’s the adjectival form of “tentacle” — I made it up] hair. Hmmm, now I’m thinking of that picture I did, combining a person and all the non-human animals I could think of. It was like a woman with horns and wings and claws on her hands, a centaur front half and some sort of fish tail. Oh yeah…and feline eyes. It was quite silly. However, I’m sure that somewhere someone has created a detailed world and culture for such beings.
“What made the red man red?”
In her comment on my previous entry, katranna notes that Disney actively avoids black characters. This is true, but they used to be a little less avoidant. For example, the original version of the animated Fantasia had a little black centaur girl in the Beethoven’s Pastoral section. The little black centaur girl, Sunflower, was being a sycophantic slave to the white centaur girls. Sunflower has since been cropped out, denied and otherwise suppressed during Fantasia theatrical and DVD re-releases. See here for a still of Sunflower and even a clip! The rest of the article [about Disney’s most racist characters] is worth reading as well.
The subject line comes from the #3 most racist characters, the Indians in Disney’s Peter Pan [admittedly based on J.M. Barrie’s stereotyped Pickanninny tribe, which, in a confusing stew of racism, are named after a derogatory term for African-Americans]. They sing a song with that title.
P.S . The list at Cracked.com forgot Stromboli, the fat yelling Italian stereotype in Pinnochio, as well as the eeeeevil slanty-eyed suck-uppy Siamese cats in The Lady and the Tramp who don’t speak grammatically [“Now we looking over our new domicile / If we like, we stay for maybe quite a while”].
Stupid reaction to Disney princess industry
As the stepparent of a 6-year-old, the Disney princess marketing machine is old news to me. This article by the always-behind-the-times Newsweek pisses me off, though. Here’s part of the concluding paragraph:
Considering that “What’s Love Got to Do With It” attitude, it’s no wonder that Disney is modernizing its princess formulas.
In the new Broadway “Little Mermaid,” Ariel no longer needs Prince Eric to dispatch Ursula the sea witch; she does it herself. In 2009 the studio will debut the animated film “The Princess and the Frog,” featuring its first African-American princess (which is pretty shocking, if you think about the fact that there’s already been Asian, Native American and Arab princesses). She’s already stirred some controversy —she was originally a lowly chambermaid named Maddy, but after the blogosphere got wind of that, she was promoted to full princess and given a more regal-sounding name: Tiana. “Enchanted” (which comes out this week) offers its own extreme princess makeover. Giselle begins as your classic, animated princess. When she falls through a manhole into Times Square (where the movie switches to live action) and falls again after climbing up a billboard for a castle-themed casino, she reasons she’s always falling because, well, someone always catches her. Not in New York City, sweetheart. Giselle soon discovers that her petticoats are a pain and her saccharine personality annoys people. She gets her man, but not before she’s lost the dress and the breathy voice and learned to stand on her own feet—or at least catch herself when she falls down. “Traditionally, the female character is very strong until the last minutes of the film, and then the prince comes in and she’s saved,” says “Enchanted” director Kevin Lima. “I don’t think that’s a contemporarily responsible story. I had to give an alternate ending.” Lima wants the new message to be: “You are responsible for your own happily-ever-after.” And if that includes a Disney Fairy Tale Wedding Snow White gown, all the better.
So, after a review of the Disney princess marketing machine, this article tries to allay concerns that said marketing machine is racist, classist, sexist and generally stupefying to people who buy into it, especially if they are little girls who don’t know any better. The concluding paragraph as quoted above turns backflips in an attempt to convince readers that Disney princess culture is not a huge cause for alarm.
Disney princess culture isn’t sexist, the article argues, because, for example, the stage musical version of Disney’s The Little Mermaid has given Ariel a more active role in defeating the sea witch Ursula. She’s more assertive, not a wimpy woman at all.
No, actually, what would make The Little Mermaid less sexist would be having Ariel defeat the sea witch by herself in the first place in the damn original animated film…or by considering the novel idea that perhaps a powerful, magical, ambitious, frustrated, middle-aged female character like Ursula should not be automatically vilified, ridiculed and made into a grotesque parody.
Disney princess culture isn’t racist, the article insists, because…look! They have an African-American princess coming up in The Princess and the Frog in 2009.
No, actually, what would make Disney princess culture less racist would be, say, a little respect for the cultures they’re portraying. For example, the ancestors as venerated in Mulan could be serious characters; or they could be off-screen completely; they needn’t be slapstick caricatures. Or the Native Americans as portrayed in Pocahontas could stop having some sort of gooey, hallucinatory relationship with colored wind and talking trees, and their spiritual practices could be woven into the story with more understatement and less excuse for talking non-human characters.
Disney princess culture isn’t generally retrograde, the article tries desperately to convince us, because Enchanted provides a modern twist on the happy-ever-after ending. In Enchanted, Giselle finds that her animated air-headedness can’t stand up to reality. Also she saves the divorce lawyer before the end. That makes it all better.
No, actually, what would make Disney princess culture less retrograde would be for them to dump the pining/suffering/wedding arc that characterizes all Disney princess stories. Just because Giselle in Enchanted momentarily flexes her muscles before settling down to her wedding does not mean that the pining/suffering/wedding arc has been radically disrupted, allowing for change. Giselle’s rescue of the divorce lawyer represents a superficial concession to reality, brains and general feminist agitation. There is no wholesale examination and revamping of the inherent passivity and stupidity of the tropes. Enchanted is NOT “contemporarily responsible.” It’s just a tired old retread.
“You are responsible for your own happily-ever-after.” And if that includes a Disney Fairy Tale Wedding Snow White gown, all the better.
This conclusion disturbs me. It implies that happily-ever-after does exist and is achievable. Furthermore, it suggests that participating in the Disney princess culture helps a person achieve said happy ending. But, as we’ve seen, Disney princess culture is a seething boil of sexism, racism, classism and general hebetation. It may purport to be liberating, hip, empowering and cool, but it is not. It is merely dressing up sexist, racist, classist stupidity in an appealing guise so that people will think that Disney princess culture represents the road to happiness and therefore consume more Disney princess products and increase Disney’s capital.
There is no happily-ever-after. There is only life. Happily-ever-after is not achieved by consuming Disney princess products because there’s no happily-ever-after to achieve in the first place. Thus, Disney princess products are merely a part of life. Their consumption does not lead to happiness. I do not deny that their consumption may bring pleasure to people; I do, however, vehemently dispute the assumption that consumption of Disney products causes lifelong personal fulfillment and deep satisfaction. They do not. No product does. In fact, consumption of Disney princess products can lead to distress, unhappiness and a dead-end state in a mire of racism, classism, sexism and stupidity…if one does not develop a critical intelligence about the hidden goals of the Disney corporate conglomerate.
So that’s the key, folks. Examine; criticize, and provide alternatives.
P.S. For bonus nausea [and possibly VOMITING!!!!!], note that the 2009 Princess and the Frog is set in New Orleans. Cue the sassy Southern mammy stereotype, the comic and subhuman speaker of Cajun creole, not to mention the stupid, ignorant, stereotyped jokes about voodoo [more properly called Voudon, I think]. Extra bingo points for gratuitous depiction of New Orleans as some sort of swingin’ place full of cheerful Stepin Fetchits just groovin’ to the wild rhythms of that racy, “uncivilized,” “wild” jazz.
P.P.S. For a bonus bonus, read Deborah Siegl’s review of Enchanted, which uses the movie as a case study to argue many of the points I bring up here.
Dude! Here are the 4 most recent Supernatural eps!
Streaming! Right here!
Hi, my name is MW, and I…I like centaurs.
I’ve had a long-term, back-burner love affair with therianthropic — human/non-human animal creatures — from my earliest days.
Mermaids also figured largely in my childhood interests. I thought they were glamorous, fascinating and magical even before Disney’s animated Little Mermaid appeared in 1989 and popularized such creatures. After the mermaid’s infiltration of mass culture, I still persisted in finding them eminently awesome, though I was more interested in Andersen’s Little Mermaid [and the rest of his sick, twisted fairy tales], mermaid lore in general and, again, a realistic schematic for merpeople. [My sister and I pondered the realistic biology of merpeople extensively. We spent much time wondering exactly how a fish part and a human part could fit together into a cooperative body. If merpeople had piscene nether regions, did they then lay eggs? Did they have gills? Could they breathe underwater? Would they really have all the hair that they are traditionally depicted with? Eventually we decided that realistic merpeople would be more like human-dolphin hybrids, air-breathing, viviparous, mostly hairless, very streamlined and entirely mammalian.]
Before the Age of the Internet, my interest in therianthropes existed in an enjoyable vacuum, far away from others who shared my interest [except for Jill]. Therianthropophilia was a harmless, offbeat interest based in mythology and fairy tales. About 5 to 7 years ago, though, with the democratization of the Intertubes, therianthropophilia’s frame of reference changed. Furry subculture — in which people enjoy a broad spectrum of identifying with, dressing up as, discussing, producing artwork about and getting turned on by non-human animals or therianthropes — became much more visible. [Witness Creature Creator for Victoria 4.1, a set of horns, hooves, tails and paws to make the 3-D model Victoria 4.1 into a deer girl, a cat girl, a devil, etc.] As furry subculture became more visible, the mainstream made fun of it as a collection of sex perverts in mascot costumes. The general derisive attitude toward furry subculture spread outward and tainted the general view of anything remotely related to therianthropes.
So, anyway, now I feel really odd and self-conscious about my therianthropophilia [which explains why you haven’t seen any therianthropes I’ve been making in Daz — also because they are really BAYUD]. I feel like I can’t just rave about how cool mermaids and centaurs and sphinxes and such are; I have to justify myself by explaining that I’m not sexually attracted to them. Stupid stereotypes aren’t even true, and they tar everyone with the same brush.
3 kidsies, 1 outfit
From left to right, Geordie, Baozha and Little Will demonstrate variations on my favorite clothing package, the Storytime dress and pantaloons. Geordie has the Clematis style dress and shoes. Baozha has a customized blouse and harem pants based on the bodice and pantaloons, and Little Will has the Rose style dress, pantaloons and shoes. Yup, it’s a versatile and pretty awesome clothing set.
Apparently Robert Jensen…
…is in the same hysterically anti-porn camp as Andrea Dworkin and Catharine Mackinnon, whose detailed diatribes against porn are, well, pornographic. See observations here. Well, he may be a pornographic anti-porn person, but I still think his points about masculinity, porn and anxiety are valid.
Little Will, take 4
With wider cheekbones than take 3.
Little Will, draft 3
I tried to recreate Little Will’s features using only the Preteen Vickie built-in morphs. Good Lord, he looks like his parents are about to be murdered before his eyes. Don’t worry, sweetheart. That won’t happen till you’re 30.
Masculinity as fear
I don’t have time to go into detail about this topic, but I do think it’s interesting. As I know from personal experience, the state of being culturally construed as a woman basically boils down to fear: fear that one will be taken advantage of by those culturally construed as men. At the same time, those culturally construed as men have their own fear: fear that they will lose their power. What pathetic, anxious cowards the patriarchy makes of us all!
I was prompted to the masculinity=fear equation by an excerpt from Robert Jensen’s Getting Off: Porn and the End of Masculinity, as posted on Alter.net. Here is the conclusion of the excerpt:
Pornography knows men’s weakness. It speaks to that weakness, softly. Pornography ends up being about men’s domination of women and about the ugly ways that men will take pleasure. But for most men, it starts with the soft voice that speaks to our deepest fear: That we aren’t man enough.
Maybe I’m just sensitive to the anxieties of masculinity because I’m writing about a guy who is firmly convinced that he is not man enough and, interestingly enough, uses porn to try to prove himself to himself.
When I next get some money…
…I am purchasing a 3-month subscription to PoserWorld and downloading like crazy…. At $30.00 for 3 months of unlimited downloads, it offers a staggering array of clothing for all figs, including lots of historical stuff…. The proportions of content offered are, interestingly enough, very similar to my own interests. About 50% of the stuff is fantasy fetish wear, and the other 50% of it is historical, casual, utilitarian sort of stuff. Just like 50% of my characters are meretricious, and the other 50% are historical and/or sober!
Little Will, revision 3
Hmmm, I see that my Preteen Vicky model has all facial and body morphs fully loaded into her, so I might try recreating little Will’s head with Preteen Vicky’s, especially since I can’t get my current version of Little Will soft enough in the face. The lines of his chin are still too harsh….
Little Will in his little dress
Here’s a picture of my latest draft of little Will in his little dress. I made little Will by using a Millennium Girls Preteen Vicky body and neck, then erasing the body of my Michael 3 Will and resizing and shaping it so that it looked young and the appropriate size for the preteen body. As a result, I realized that Will looks extremely cute, but also very anxious. You would be too if your mom raised you on gory tales from Ovid’s Metamorphoses!!
He’s really a very cute little kid. Littlle does little Will know that he will grow up to become a dead guy with gender confusion and no fashion sense.
Please pay attention to the beauty of his dress!!
Little Will’s dress!
After many long hours looking for specific items of clothing [corsets for men, dresses for men, chunky platform heels for anyone, baggy T-shirts, hooded sweatshirts, winter coats, etc.] and NOT FINDING IT, I actually FOUND SOMETHING PERFECT today. Behold — a dress and pantaloons for the Millennium Girls and Preschoolers!!!
With minor tiddlywinking, I will be able to use this outfit as a dress for a preteen girl or non-breeched boy from the 19th century. Translated by my good friend CrossDresser, it might make a good long summer dress for modern Will too, although it’s a bit conservative for his tastes.
In case you can’t tell, I installed my kid models this morning and just started to experiment with them. I have Millennium Kids Preschoolers, Millennium Girls and Millennium Kids Young Teens. I’m most partial to the Preschoolers, who, besides being really cute, come with very expressive poses such as Monster Time, Cannonball!, Bored, Defiance, and [the highlight, well-known to anyone who deals with the under 5 set] I Want That! Unfortunately there is no Tantrum pose with clenched fists and stamping foot…
Anyway, I don’t have the morphs for any of these characters, so I’ll probably just splice Victoria and Michael heads onto them, as I’m doing with little Will. Speaking of which, I think his chin needs to be softer….
Now I can do flashback scenes with Will and his mom and with little Anneka and her parents, even with her and Mamie and Minerva too!!!!!
Little Will
This is a test; this is only a test. The person on the left is Will between the age of 8 and 12. He has a second skin wetsuit only because I lack clothes for my new kid models. He should be wearing one of those dresses that boys in the 19th century were sometimes kept in until they were 6 or 8 or even [really REALLY pushing it] 10. [Most of them went to short pants by 8, though.] Also his hair is supposed to be in ringlets, but that is the closest I could find.
I mentioned earlier that I wanted to scale down my adult models to make child models, but I ended up not doing that. I scaled down a copy of my Will model and morphed its head to make young Will’s head, then erased the rest of the small Will model’s body, then stuck the small Will’s head onto a Millennium Kids Young Teens Mike body because the neck area of the small Will model did not look appropriately smooth and fat for a child.
Dancing on 6 limbs
Check out these two ballet dancers. I am not linking to this because it’s an inspirational example of disabled people overcoming their limitations. That’s a load of tripe. I’m linking to this because their dance plays perfectly to their strengths and to their disabilities in such a way that their performance tells a pretty cool story about disability acceptance. I also like the choreography, which incorporates the idiom of modern dance [like tumbling!]. Special props also to the choreography for designing such a fluid, graceful movement for the male dancer so that his character can embody for the uncertain female character the joy of living in one’s body, no matter what the shape.
Subservient Santa
First there was Subservient Chicken, Burger King’s advertising gimmick where you could type in commands and, if they were within the applet’s repertoire, watch a guy dressed up as a chicken act them out.
Then there was Subservient Programmer, which is the best of all the subservient applets I’ve seen. The animation loops are most carefully timed to create the illusion of continuity. There is also a wide range of commands available.
Now there’s Simon Sez Santa. It is not as well-looped as Subservient Programmer, but the sound effects are funny. If you choose the naughty version, make him drink a beer. :p There’s also a kid-appropriate version so you can show him to little ones.
Chinatown sites
Chinatown Gateway Coalition http://www.chinatowngateway.org/ A grassroots org to preserve and accentuate Chinatown’s geographic, historical and cultural heritage through strategic development of the Chinatown Gate area.
The Chinatown Blog http://bostonchinatowngateway.com/ A relatively new blog written by younger residents of Chinatown.
Chinatown Main Street http://www.chinatownmainstreet.org/ A business directory.
South Bay Planning Study Documents http://southbayplanningstudy.org/documents.asp Documents about development plans for Chinatown, Fort Point Channel and the Leather District, including the Chinatown Masterplan 2000 [which is not, as the name implies, some sort of blender], Chinatown Community Plan 1990, etc.
Boston Chinatown Neighborhood Center http://www.bcnc.net/index.php Providing social services to residents of Chinatown, the South End and South Cove.
Nightly patrols reduce crime in Chinatown http://www.baystatebanner.com/issues/2007/08/23/news/local08230713.htm An article about the volunteer Chinatown Crime Watch.
http://boston.indymedia.org/feature/display/186609 A firsthand account of the Chinatown Crime Watch delivering the smackdown on some fighting idiots.
Making kids in Daz
Instead of loading completely new kid figures into Daz, I should just be able to rescale my two main models, Victoria 3 and Michael 3, so that they have kid-like or teen-like proportions. As a matter of fact, I have been messing around with proportions a lot recently. I successfully created two teen girls, one in her early teens [Magdelena] and one in her mid-teens [Baozha].
I also created my craziest morph yet by tweaking and shrinking Victoria 3 so that I could get a fashion doll model. [And it really looks like a fashion doll, which is somehow extremely disturbing, despite my great experience with fashion dolls.] If I can make Victoria 3 into a 1:6 bobblehead with pointy little feets and gazongas bigger than her head, surely I can make her into an acceptable kidsy.
My l33t skillz
I’m nearing the point where the time I spend setting up a digital scene is equal to the time I spend setting up a scene with dolls. While working yesterday on 2 sets, Chow’s study and Will’s room, I spent about 13 hours, which actually is probably less than the amount of time needed to produce the same scenes in real format. [Digital format allows for much quicker deployment and customization of props!] After all that labor, both sets look very close to how I want them…
…Except for the shadows. I’m having a problem with them. Note to self: Find out how to make everything create shadows. Help may be here: http://www.daz3d.com/i.x/tutorial/0/-/?
I’m also very comfortable and fairly skilled with Daz. How can I tell? Well, when I didn’t have any posters or poster frames for aforesaid sets, I instantly created some basic ones using the primitive shapes available in Daz. I didn’t balk at the thought of extending my existing skills; I just constructed something simply and quickly so that I could go back to the greater fun of scattering digital stuff all over Will’s digital floor. [I never knew he had so many shoes!]
Pictures later. It will be interesting to see how long a render takes with all the stuff in these scenes.
Maid
Finally, finally, finally, I got a decent French maid set from a temperamental Japanese Web site. Result below with strategic posture to conceal crotchlessness of underwear. Sometimes I spend so much time on details that never appear in the final version…
Automatic vector graphic maker
Photos or drawings converted into vector graphics look really cool. However, manually converting a rasterized file to a vectorized file takes a really long time. If you’d like to automate the vectorizing process, however, visit VectorMagic, a Web site hosted by Stanford where you can vectorize anything. No guarantee on how awesome the results will be, but, if you choose a rasterized image with a low number of artifacts and a relatively narrow palette, you should get stupendous and scalable results.
Below is an example. It is a picture of Will, made on “logo without artifacts,” “medium palette,” “medium quality” settings. I like the harsher, more chiseled look that vectorization supplies. The original picture is right here.
Smells like rain…
You know that sharp, light, floral odor of the first rain? It has a name: petrichor. Actually petrichor is an exudation of certain plants during dry spells. This chemical leaches into rocks and soil, which then give it off, along with a compound known as geosmin [literally, “earth smell,” that full, brown, slightly crunchy, moist smell of, well, earthy things, like beets]. Petrichor + geosmin = “smells like rain.”
Incidentally, Petrichor and Geosmin are perfectly conceivable, under the current ridiculous drug-naming schemata, as names for medication. Petrichor is for drooling idiots with rocks in their heads…it comes in little brown pills. Geosmin, which comes in swirly blue and green tablets, aims to counteract LGS [Loss of Gravity Syndrome], when excess air in the cranial cavity causes a person to float away. Neither of them are really effective, but they sure sound imposing.
Eat me!
I am disturbed, amused and still carnivorous after checking out Suicide Food, an illustrated survey of self-sacrificing animal illos.
Some people look good in skirts.
Will is one of them. He also looks good in second-skin fishnet. Also, as you can see, he has a new, much paler complexion, more character-appropriate makeup and reflections in his eyes. The reflections make him look more alive, which is ironic because he’s dead. :p
Several frustrations resolved in one piece of software
Frustration 1. It’s hard to make tight clothes look good on dolls. That’s because the dolls are not 1:1 scale, but the clothing is, so the clothing does not look appropriately form-fitting. It looks too bulky. Plus it usually limits the dolls’ movement.
Frustration 2. Poke-through on 3-D models. This is when the position of your 3-D digital person is such that the person’s body part penetrates the clothes unrealistically. If someone’s arms are bent acutely, you may see, for example, elbow poke-through in the shirt. It’s not realistic, and it limits model poses.
Frustration 3. Memory hogging. 3-D modeling programs put a huge drain on computers. Every piece of clothing has its own construction, design, morph and texture information, which can get really complicated if you have a scene with 3 people, each with 1 hair, 3 items of clothing, 1 accessory, not to mention the set made up of 6 props. Memory hogging makes loading the files, saving them and rendering them really slow.
A partial solution is second skin clothing.
So every digital person is covered with a skin and a head mat, but then, if you want to give them clothing, you have to add pieces of clothing. Each piece of clothing is an object + mat as well, so you can see how the memory drain increases quickly.
Second skin clothing avoids the memory drain by painting the clothing directly onto a digital person’s body mat. Because the clothing is thus part of the skin mat and not separate, there’s no out-of-scale bulkiness. There’s also no poke-through. And, because the person is only wearing the [modified] body mat and not any extra clothing objects, the memory load is reduced.
Here’s a picture of Rori wearing second skin fishnets. They are painted on her body mat:
Anyway, I’d like to make second skin clothes for my characters, so I’ve discovered some software that can help me. Zew’s Clother and Clothim give you men’s and women’s clothing that you can easily apply on any body mat to create custom second skins. They’re the same program, differing only in the base wardrobe supplied. Second skins will be very helpful for certain characters [Anneka, Will, Velvette, Dom, Pippilotta, etc.] who wear tight clothes. It will also be good for putting underwear on everyone so I don’t have to see their [lack of] genitalia.
Hee hee, check out the Clothim add-ons. Do you or do you not see a distinctly FABULOUS sensibility at work here? I mean, seriously…tank tops for men that don’t cover the nipples? And over here in the downloads…underwear with a question mark on it. I don’t think I’ve ever seen any guy wear clothes like this, except for at pride parades…WHICH MAKES IT PERFECT for my fashionless vampires! PERFECT I SAY!
“Oh, you know, Jon, mainly how GAY it is…”
I’ve been cracking up over this round-up of gay humor from the Daily Show, especially the clip where Jon Stewart is talking to Stephen Colbert about Prince Charles’ alleged gay experience, and there’s a banana involved. I’m surprised Stephen Colbert didn’t choke on it, since he was laughing so hard. The best part is the trouble he has with the “Whoever kills the fewest grouse…” line. It’s still hilarious the 45th time.
Gargoyles are fabulous!
Especially when they color-coordinate their horns, clothes, tattoos, lipstick, etc. This was done off a Will base, but I’m not sure that it’s him any more. Knowing him, it probably is….
If only I were Gothic…
On my lunch break, I inspected many offerings of 3-D content from Sixus1. They have a lot of therianthropic creatures with an emphasis on dragons, dinosaurs, werewolves, etc., all of them studded with teeth, spikes, claws and optional impractical [but imposing] armor. Like the Raptorian female with armor. I can just picture the designers saying, “What’s cooler than dinosaurs? Oh, I know…DINOSAURS WITH ARMOR! Hell yeah!” Somebody loooooves the monsters over there.
Then I went over to Meshbox, which is apparently staffed by highly literate horror nerds. They have thematically arranged sets of intricate design, including the admirable City of Vampires, which looks about as bleak and ominous as a Gothic cathedral in bad weather. My favorite element is the Old Library, where the vampires enter by flying in and out of a portal in the ceiling! It also has the only commercially available set of stacks that I’ve seen so far.
Anyway, it’s really too bad that my vampires are just dead, ground-based, non-transforming queers with no fashion sense who live in an actual city in the modern day where the monsters are stupidity, jealousy, rage, depression and homophobia. If only they were Gothic and fantastic, they could have some real cool shit goin’ on…
This is the most beautiful 3-D modeling product I have ever seen.
It is a texture set and series of morphs for Victoria 3 called “Mary Ann.” The advertising text says she’s perfect for a “mom, a young grandma or even a witch.” However, I think she’s perfectly lovely for anyone over the age of 25. I especially like the light flush over her face, the hollows under her eyes and the brackets around her mouth. Where so many character sets look flat, flawless and stupid, with most of their variety appearing in the palette used, this character has obvious depth and personality.
Sexy but obviously stylized stuff: http://www.renderosity.com/mod/bcs/index.php?ViewProduct=51887&Start=91&TopID=11219.44031.44033. Lillith…lots of dribbly eye makeup…has second skins, but…sigh…
http://www.renderosity.com/mod/bcs/index.php?ViewProduct=50621&Start=121&TopID=11219.44031.44033. Diwania…eye makeup is too heavy…
http://www.renderosity.com/mod/bcs/index.php?ViewProduct=44503&Start=331&TopID=11219.44031.44033. Marilyn…lots of eyeshadow…
http://www.renderosity.com/mod/bcs/index.php?ViewProduct=44420&Start=331&TopID=11219.44031.44033. Rachel…a little less eyeliner…but definitely a frickin’ lot!
OOoooooOOOOOOoooooohhhhh…
For almost a month, I’ve been moving the cameras around in DAZ with only the right mouse button, wondering why the heck I can’t get the camera to orbit around a figure. Apparently I can press down the OTHER mouse button and get more effects. Maybe that will keep me from cursing at the computer so much….
W/Racked with guilt?
If I’m wracked with an emotion, should I be RACKED or WRACKED? If I use “rack,” I conjure up the pleasant image of someone’s tendons being unscrewed on a Procrustean bed. If I use “wrack,” it connotes “wreck” and “wreak,” a verb that absolutely must be conjoined with “havoc.” [Seriously, what else do you wreak besides havoc? Destruction, maybe, but that’s about it.] Both spellings are acceptable and absolutely synonymous, so the choice comes down to a predilection for connotations. I use “wrack” because, when someone is wracked with pain, sobs, a coughing fit, etc., he/she is usually incapacitated, hunched over, deflated and otherwise wrecked. I like the wreckage, not the rackage.
Boy, that silent W in “wracked” looks stupid. I guess I shouldn’t look at words like “write,” “wriggle,” “wrap,” “wraith,” “wreath,” “wrath,” etc. They all look RONG! :p
Silly Goth joke from joke generator
Surrealist.co.uk’s Bad Joke Generator came up with a relatively good one about Goths…
What’s a Goth’s favorite drink?
Books to hunt down and read
The Doll Maker and Other Tales of the Uncanny by Sarban
Miss Hargreaves by Frank Baker
My digital modeling skills are not in demand…
…by the greater modeling community. This is because I specialize in making rotund people, scrawny people, ancient people and — my forte — guys in drag. In contrast, all of the people I have seen in the greater modeling community are lean, tight, voluptuous and between the ages of 18 and 25. They are all wearing clothes designed for their sex.
Anyway, here is Mamie Sinquell. She is not Anneka’s dying grandmother; she is Anneka’s dying grandmother’s long-term partner. She was a mannish lesbian before people even came up with the term. She’s still as intimidating in her 90s as she was when she was the hard-ass headmistress of Endless Lake Boarding School. Since she was either skiing or hiking or running around taking photos in the Adirondacks, she has poor skin that’s probably on the verge of precancerous melanoma. I love her. She, on the other hand, is not impressed with YOU, but you knew that already from the picture.
Welcome back…I think.
This morning, I decided to write a re-intro to LHF, checking up on where Anneka and Will are now. Oh boy did I ever find out. They were yelling at each other, as is frequently the case, and they managed to throw almost every important detail of their histories in each other’s faces without sounding too much like they were reading from exposition cards. In chronological order, they hit the following touchstones, neatly sketching out the major players, their relationships to each other and their preoccupations:
Hot topics: lesbovamps.com, mermaids, La Biblio, Mark, Velvette, Janet, de Sade, Ovid, Minerva, Alzheimer’s, Mamie, Adirondacks, Maximilian, colonial New England, Alexandra, counseling, Leonora, fairy tales, Chow, the Hun, the MeMo, Chinatown, Boston, Wintermere, gender dysphoria, invalidism, bisexuality, cross-dressing.
About the only things that didn’t get in there were Viktor, Sibley, Pippilotta and Mark’s cacti! I do wish that I could wedge Viktor and Sibley in there, but this season focuses less on them and more on Anneka, Will and their families.
Chow again
The inimitable Chow, redesigned, with better mesh and more appropriate clothes.
And another of Rori
…because she’s awesome.
Dammit Janet!
Janet Planet, semi-mad scientist, sister to Velvette Crush and creator of Viktor, shown in a heavily cropped portrait shot because I haven’t found appropriately baggy and formless clothes for her yet.
Scutwork
Today’s phrase is “the scutwork of the flesh,” from Alison Bechdel’s pretentious but fascinating graphic memoir Fun Home. She uses the phrase to refer to the minutiae of embalming that her father did when he ran the family funeral home. It’s a perfect word; it sounds foundational and visceral at the same time, as if it involves ploughing through muddy trenches or the furrows of an open abdominal cavity, trudging with dismal work. It also has a Shakespearean sound. “Poor forked creatures…” I think that phrase is from Shakespeare, but I can’t find out wherefrom.
Anneka and Will
As much as I like messing around with cross-dressing and humorous sexual situations, that’s not my main reason for getting Daz. With tight angles and minute adjustments in posing, this Daz test represents the sort of things I always wanted to do with my dolls and my camera, but could never accomplish.
Viktor finds booty.
Viktor’s back!! This scene, which has two characters, a Cyclorama background, two props and an unknown number of clothing items, took about 60 seconds to render.
Inspect my booty.
Now working with the Daz Cyclorama… Scrawny Will definitely looks better with his arms covered up.
Rori Halsted
Here’s Rori, barkeep at the Nightcrawler, out of her element in some strange forest. I’m using this as a background because it’s one of the premade ones included with Daz. Rori is so damn cute….
This sucks.
I started on Viktor and did Rori earlier today, but then went back to Will. I used another of those dark, shadowy and atmospheric backgrounds by Tony Hayes, whose work is deliciously melancholy and creepy. [He did the abandoned asylum too.] Anyway, I learned about lights for this picture, adding two spotlights, one over Will and one pointing toward his face, all with the hope that the lighting on him would be equivalent to the light in the background. I made this one extra big so you could admire the background!
New & improved naughty nurse
Removed obvious seams from skin mat, added fishnets, reposed hyperextended right hand.
Now you’re going to feel a little poke…
…as I gore your arm with this harpoon in order to surgically drain you for my next meal.
Yeah, I know he’s really pale, and you can see the places where his skin textures are a wee bit too small, and he looks severely malnourished with a disturbing resemblance to Richard O’Brien, and he’s even faggier than before, with even more of a predilection for violent pink, and the lighting is probably off for this scene, and he’s not really holding the syringe, and his hands look like they are flexed unnaturally, but I don’t want to hear about it. I am proud of myself beyond measure because I finally figured out how to make someone use a prop that wasn’t hair-related and easy to stick on someone’s head. Now if I could just figure out a way to move props easily into position, I’d be all set.
I’d probably develop a hankerin’ for violently pink makeup too if I’d been dead and out of the sun for 130+ years. I’m not sure about the alarming fingernails, though. I didn’t know he had those until…well, they happened. I think nail polish is one of the world’s stupidest inventions, but apparently my characters disagree. At least it matches his outfit.
I need to fix the size of the body textures. Dolls don’t have seam lines like that….
Death in 3 minutes, 37 seconds, to a rock soundtrack
GOOD magazine provides a comic view at the death industry. My favorite part is that all the employees of the death industries are shown as ancient Egyptian jackal-headed gods of the underworld Anubis.
Despite the concept and the names behind it…
…Dollhouse, an upcoming Fox series created and produced by Joss Whedon, starring Eliza Dushku and somehow involving Tim Minear [who was involved with Angel, Firefly and the rockin’ awesome Pushing Daisies], will go down in flames, despite a hyperactive cult following, only to be released on DVD in a year and a half with unaired episodes. I’m also not sure that the sexy but rather flat Eliza Dushku is the appropriate choice for a main character who is basically a Method actor bot. I don’t think she has enough range. It is amusing to note, however, that, in the linked interview, she’s very happy that the Red Sox Losers won the World Series.
Chow
I’m having some problems with the M3 mesh, so this is the only angle from which he doesn’t have strange lumps on his arms poking through. It’s also a characteristic posture. I would like everyone to know that I successfully subdued the V3 Ultimate Changing Ponytail and made Chow’s hair. He’s supposed to be dressed in a subdued and somewhat antiquated manner, befitting his personality.
Experimenting with Anneka
With her short hair and straight eyebrows, she looks much more like me than the 1:6 version. She sees you when you’re sleeping and knows when you’re awake….
Free hair conversion kit!!
http://netherworks-studios.com/shoppe/index.php?main_page=product_info&cPath=10&products_id=20 a download that will finally get me to fit V3’s Ultimate Changing Ponytail to Chow’s head!!!
Happy Halloween from a sweet transvestite!!
Here’s Will again as he dresses for the Harvard Square midnight showings of Rocky Horror, which, he would like you to know, he attends very rarely, and he only played Riff that one time because he had promised the girl who usually played him that he would do it, and besides, he never would have done it if he wasn’t drunk, and the only thing he is going to say about the Short Skirts showing is that “madness takes its toll [50 cents please!].”
Transvestitism all the way here! Just about everything Will has on was originally developed for a female model. First I used a free texture for Victoria 3 called Valarie for the base. Using Photoshop, I reduced the resolution of head and body textures, hid the scary scary nipples, whited out the genitalia, darkened the eyebrows and added more eyeliner from the Victoria 3 default makeup. Oh yeah, and I added some pink to his lips. Textures can be used for male and female models without problems, so I didn’t need my new best friend CrossDresser for that. XD did, however, translate the boots [V3 morph-to-fit clothes], short shorts [from a free V3 waitress outfit] and the underbust corset [from a free clothing pack for the female Maya Doll figure]. I think even his hair [Wedge Cut 2.0] is, at the very least, unisex. The mesh is the only masculine thing here. :p
Anyway, I tinkered with him for hours tonight. I took melopoeia’s suggestion that he looked too rough and ruddy with the default M3 textures, which makes sense because, as much as he’s supposed to be a human [or formerly human] character, his appearance in my head is strongly influenced by the fact that he was/is a doll with stylized features. So I made him look pale and inhuman. melopoeia also thought he looked too mesomorphic, so I put him through the wringer and elongated some of his body parts so that he more closely resembles 1:3 Will, my Sabik. As for the face, his original makeup didn’t look shocking and cheerful enough, so I messed with it more.
Funnily enough, this is not really that much of a costume for him. The makeup’s normal, as are the shoes and the short shorts. I do suspect that he’d usually be wearing something over the corset, however.
No comments unless you’re reciprocating with Halloween wishes, please.
Free pale textures and vampy makeup
Renderosity:
AVA Gothica
U3 White Dragon
Valarie V3
V3 Angel
Elisa [Pippilotta?]
Raven V3
Free boingy ponytails and an underbust corset, Dial Cleaner
http://www.3digitalcrafts.net/studiomaya/1download/index.html Free hair and clothes, including an underbust corset
http://free.daz3d.com/free_weekly/detail.php?free_id=112 Dial Cleaner
http://free.daz3d.com/free_weekly/detail.php?free_id=81 Stakes and crosses
http://free.daz3d.com/free_weekly/detail.php?free_id=36 Squirt guns [change color]
http://free.daz3d.com/free_weekly/detail.php?free_id=27 Ancient book
http://poserpros.daz3d.com/store/viewitem.php?selitem=2238&start=0&selcat=0&selsub=0 not free, but a corset for M3?
http://poserpros.daz3d.com/store/viewitem.php?selitem=8829&start=0&selcat=0&selsub=0 underbust corset
http://poserpros.daz3d.com/store/viewitem.php?selitem=5044&start=0&selcat=0&selsub=0 short short skirt, spike platform heels, underbust corset thingy
http://poserpros.daz3d.com/store/viewitem.php?selitem=7251&start=0&selcat=0&selsub=0 underbust and lots of fishnet pieces
http://poserpros.daz3d.com/store/viewitem.php?selitem=158&start=0&selcat=0&selsub=0 overbust
Find Glorious Goth for The Girl???
http://www.renderosity.com/mod/bcs/index.php?ViewProduct=35878&Start=31&vendor=_samildanach_ the best corset thingy for M3 I’ve ever seen, plus arm sleeves
Making props in just Daz // Another modeling program
http://www.daz3d.com/i.x/tutorial/tutorial/-/?id=2083 Dumbbell tutorial
http://forum.daz3d.com/viewtopic.php?t=69557&highlight=using+primitives Merging primitives
http://forum.daz3d.com/viewtopic.php?t=52807&highlight=primitives How to play with planes
http://www.wings3d.com Wings3D
http://market.renderosity.com/mod/forumpro/showforum.php?forum_id=12445 an active W3D forum
The drag queen as Christ figure, or, Everything I Needed to Know About Rocky Horror…
…I Learned from A Film Freak Commentary…
In any event, this is not supposed to be a speech about a dragon. This is, indeed, a song about a dragon…
No, seriously…In Film Freak Central, Alex Jackson provides some personal and perceptive commentary on Rocky Horror [and Shock Treatment, but I’m ignoring that part].
Now I’m not sure that RHPS is very good or even really touching, but I agree with some of Jackson’s observations on what makes it more interesting and textured than a throwaway diversion. He notes a persistent threat of angst, sadness and loss that looms [heavy, black and pendulous] across the movie. Jackson is at his most insightful when he’s talking about one of my favorite themes, the pathos of the villain:
… The film introduces him as the monster, but by the end we cease identifying with Brad and Janet and embrace Frank as one of us. Often Frank will look directly into the camera and grin or break the fourth wall with a line of dialogue, facilitating the identification process and establishing that he owns this movie and that everything that happens in the film happens on his terms. It doesn’t, of course–he has to brainwash his friends to get them to stay and he is subsquently surprised, slain, and defeated. The pathos of the film is in the total humbling of this god-in-his-own-mind. Frank has what I think is the most powerful moment in the film: Riff-Raff and Magenta tell him that they are returning to Transylvania and he sings “I’m Going Home” with tears forming in his eyes. As he slowly approaches them, expecting to leave this mortal coil, he imagines an audience applauding him. …
So his point is that the movie divorces us from B&J [Blow&Job] and links us with Frank through techniques of breaking the fourth wall. We thus grow invested in this supposedly villainous character, identifying with him such that we feel that we are like him, control-freaky and manipulative though he may be. When Frank sings I’m Going Home, it’s not just the ironic delusional of a nutcase; it’s a character singing about his sadness, his isolation and his rather pathetic need to imagine a theater full of accepting, adoring fans because he can’t get any in real life except under duress. Because we sympathize already with Frank, his expression of loneliness becomes a conduit for a general human desire for love and companionship. And, if you want to get really really deep about it, the fact that Frank is just about to die is really just an intensification of the fact that all of us in the audience are going to die too, probably without ever transcending our painful daily lives and seeing the “blue skies” of happiness and safety promised by the mythic state of “home.”
So, by twanging on the heartstrings labeled NEED FOR LOVE and FEAR OF DEATH, Frank in this song reveals himself as the most recognizably human and accessible character. Because he voices thoughts and feelings that we usually keep squished and because he does it so vulnerably [nakedly…vulnerably… same thing], it is very easy to respond to him. This is why, every time I listen to I’m Going Home, I seriously feel heartbroken. It’s a nondescript little ditty [as so many O’Brien tunes are] out of context, but, in context, it’s an encapsulation of our primal desires and our eternal state of yearning.
I do think that the comparison between Frank and a Christ figure is pushing it too far, though. Christ figures are like Nazis; whenever they enter the discussion, the tenor just devolves into something flat, stupid, repetitive and uninteresting. Christ figures are not useful devices. They obfuscate the humanity of the character that is supposedly such a figure. They are saintly and godly and powerful and pure and passive and dead and glowing and awesome and really, really, really boring. I wish they would all go away, but that is a separate entry.
Make your own tombstones…
Instead of buying some tombstone models that don’t look like the ones in the Old Burying Ground, I could use Blender to make them my very own self!!!
Dear blender
Oh won’t you help a first offender
Oh, toaster
Don’t you put the burn on me
Refrigerator, why are we always sooner or later
Bitchin’ in the kitchen or crying in the bedroom all night
No thanks to you, Shock Treatment.
Dirty rotten cheatin’ doll companies
As I’ve mentioned before, I’m keeping a running list [part I here, part II here] of BJD companies that I do not deal with because of dishonest, dubious and/or illegal business practices. Now I’ve got a new one for the list: Dollkot. In advertising a custom sculpting service, Dollkot committed a pile of egregious offenses. Instead of showcasing their own sculptors’ talents and results, they used photos from DIM’s MiniMee project to illustrate their concept.
Okay, that’s dishonest, but it gets worse. Said photos from the MiniMee project were actually directly scanned from a magazine article in Haute Doll where MiniMee owners contributed their personal photos and comments about their MiniMee dolls. So, not only did Dollkot misrepresent its services, but it did so by doubly stealing: once from Haute Doll, which gave no permission for the article to be reused, and also from the MiniMee owners, whose photos and comments were reproduced on Dollkot’s Web site without permission.
To add insult to injury, their inanely cheerful response to Armeleia, one of the MiniMee owners whose photos and quotes were illegally used, implies that they thought they could get away with it. They removed the pictures, but why were they even up in the first place?
Next on my themed playlists…FANGS!!!
I’ve done multiple playlists about queer characters and one about dolls and one about the ’80s. Now it’s time for…one or two or three about VAMPIRES! The A.V. Club has a good starting point. Although the article focuses on obscure novelty tunes, the comments have a trove of alternatives. I have to say…I’m surprised that nothing by Type O Negative is on the list. Or Vampires by the Pet Shop Boys from their appropriately titled Nightlife album, which makes explicit the connection between love, death, sex, desire, hunger and blood in these lines:
Do what you want
and then can I do it to you
You’re a vampire
I’m a vampire too
You’re a vampire
I’m a vampire too
It’s a reflex
Just a reflex
like fear or sex
Edit: There’s more here: in a Philly paper’s special section.
Portrait of Will
Tonight I learned that you can put makeup maps developed for Victoria onto Michael’s face. However, when the designers made makeup maps for Victoria, they apparently erased her eyebrows and replaced them with thin, high lines that make her look revoltingly surprised. I ended up approximating Will’s makeup by pasting the eyes from Victoria’s map onto a map for Will. Then I just changed his lip color in the Surfaces menu, with some gloss from the Victoria maps. Besides all this, I also closed his eyes slightly so that he doesn’t look so much like a bug, then puckered his lips slightly, since his mouth is supposed to be short. If anyone says he looks like an aging queen, why, you’re right. He looks a little softer with makeup on. It’s definitely an improvement from his stark look with invisible eyelashes….
Will’s Pussy Part II
Here’s the second installment of the Daz test comic. Will is distracted from his gender-related bitching by a mysterious noise. Strangeness ensues.
A note on Rotten Slimeball, the kitty cat: As soon as I discovered that Daz offered a cat to download for free, I couldn’t resist taking advantage of the product. The default state of the cat character is, of course, much cuter than the deformed Rotten Slimeball. In order to make a truly supernatural feline, I elongated the legs and the neck and increased the size of the ears. It has lopsided eyes and a protruding tongue because…well, it’s a zombie. Its texture is taken from a photo of red lichen on rocks.
Will’s barf was also surprisingly hard to do. I never thought I’d have to seriously think about the physics of spitting up blood, but I just did today. I decided that it would dribble viscously, rather than spew with force.
Here we go.
I don’t know what he’s doing. It’s just that this pose amuses me. I finally found him some underwear too, thank God, so he’s not flashing me any more. This is actually a more accurate rendition of the clothing that I imagine him wearing: short, bright and tight.
You do know that no one can take you seriously in these clothes, right, Will? It’s not the boots so much, and the underwear isn’t a problem because usually no one sees it, and even the shirt is kind of acceptable…but what’s with the dress?
Why is Will smirking?
Can you guess?Continue reading Why is Will smirking?
I love you, CrossDresser!
I finally got my CrossDresser program to work, converting clothes for female figs into clothes for male figs. I’m still running into problems with skirts for anyone, male or female, but I’m happy to report that XD successfully converted a ridiculously short, long-sleeved crop top [not shown] and some black pleather platform heels! Well, at least Will’s footwear [and certain shirts — he always did have a thing for crop tops] is accurate now. I’m going to go to bed and work on the skirts later… Heels below.
Skirt wrangling
Me trying to make Will wear something more in his style. Every time he moves his legs, though, they poke through the skirt, so I have to fix that. Remarks were made that his is not a very sophisticated outfit. This is true. He can dress very much the macho part [with relative success], but, when it comes to his true tastes, they are either flamboyant or clueless or both… The best part of this outfit are the boots, which are textured with a picture of a swirling pink fantasy planet!! Please also note that he is flaming, as per the flames on his shirt. Nyar har har.
Spinal whiplash
Today I learned some important things. 1) I can now keep characters’ pants or skirts on so they don’t leap out of them when being posed. 2) Clothes made for Victoria do not behave when fitted to Michael. That goes for shoes too…. 3) However, poses developed for Victoria 3 translate nicely to Michael 3, thereby expanding my library of poses easily! 4) Whenever Will comes out of his closet, his [lack of] fashion sense always startles me.
Anyway, here he is in another sartorial folly as only he can accomplish. [Pinstripe pants and red pleather… I weep.] He is in a Victoria model pose, which explains why he appears to be on the verge of spinal whiplash. [Modeling poses are pretty dumb, but he does look pretty anxious and intent.] I do like the lines in the pose, though. They really convey a sense of quick, focused motion.
Saving morphed characters, clothing, also general organization and Cyclorama
“Fit to” vs. “parent and adjust:” http://forum.daz3d.com/viewtopic.php?t=52607&highlight=parent+clothes
Keeping clothes on and moving with fig: http://forum.daz3d.com/viewtopic.php?t=54638&highlight=loading+clothes
Putting clothes on morphed figs: http://forum.daz3d.com/viewtopic.php?t=68516&highlight=clothes+fit+pose
Overview of 3D modeling programs: http://www.canary3d.com/tutorial/3d-intro.htm
Organizing runtimes: http://www.daz3d.com/i.x/tutorial/tutorial/-/?id=2231
Possible organization for runtimes: http://forum.daz3d.com/viewtopic.php?t=50433&highlight=save+characters
Saving morphed characters: http://forum.daz3d.com/viewtopic.php?t=59134&highlight=save+characters
Customized textures into Cyclorama: http://forum.daz3d.com/viewtopic.php?t=54947&highlight=cyclorama
How to make custom textures and MAT files for Cyclorama: http://forum.daz3d.com/viewtopic.php?t=54947&highlight=cyclorama
Will’s Pussy Part I, take 2
All right, here’s my second try on Will’s Pussy Part I. He’s now against a real live photo backdrop of the Charles River, along Memorial Drive between Western Ave and JFK Street, looking toward Western Ave. Now you can see the details of my photograph and of his bulge. I assume this is an improvement. No comments about the size of the bulge, please. It’s a function of the outfit, which apparently maps its textures directly onto his skin.
Baby Got Back
Original by Sir Mix A Lot. Depressingly literal in its music-video interpretation.
Remixed to be like a Gilbert & Sullivan song…highlighting the similarities between the rhyme scheme of rap and classic Broadway musicals.
Jonathan Coulton does it sensitively. Genius!
Notes on LHF lighting, or, The Curse of the Night
When in the latter days of LHF 1.0, I wanted to make my characters hanging out in recognizable Boston metro locations. I tried using photos of mine as backgrounds to achieve this effect. However, since LHF characters are all goddamned nocturnal vampires, I darkened my pictures to simulate night. While the low light was accurate to the time of day, the night effects effaced the detail in my characters, my backgrounds and my overall compositions.
I observe the same effacement in Will’s Pussy Part I. Therefore, I’m thinking that I shouldn’t go for full night effects. I’ll stick to dawn and dusk, which means I should only take photos early in the morning, early in the evening or on very cloudy days. On that subject, I took some photos along the Charles River between 7:30 and 8:00 AM today with clouds and light rain. Perhaps I can use them as part of a new scene for Will’s Pussy Part I.
Will’s Pussy Part I
Here’s the first panel of a test comic that I rendered in Daz tonight. Will is standing in the pre-loaded Faerie [HAHAHAHAHAHAHAHAHAHAH] Forest scene that came with the program. The lights are on “night.” Auspiciously enough, my computer did NOT have a hernia while rendering a high-res character with a bunch of high-res props and a background. Let’s see what happens when the second character enters the scene….
For my next trick…
Using only a few photos and some digital props, I am going to artistically recreate a 3-D set of the Old Burying Ground in Cambridge, my favorite cemetery, and then force my characters to hang out in it because I slaved so hard over it. This is, of course, assuming that my computer doesn’t go totally hemorrhageous from all those high-res textures.
My photos will be of the actual cemetery, hopefully projected using the Cyclorama. I have a sarcophagus prop, several gravestone props [with lichen!] and a Spooky Tree [TM] prop. Eventually my characters will be able to sit on top of the sarcophagus and at the base of the Spooky Tree. Oh yeah, and there’s a Light Dome to make it look like night.
I would really love to make an aerial view of Will curled up on the ground next to a gravestone, sleeping with his teddy bear and smiling. 😀 😀
Today’s Daz work: primitive renders of Will
After downloading the necessary stuff for actually getting shit done in Daz [base figures, face/body morphs, standard textures, some clothes, some poses, Will’s teddy bear, etc.], I spent several hours tonight tweaking Michael 3.0 in order to get Will out of it. He has the skinny body morph with a lot of tweaks to his face that make him look rather old. These are about the only clothes that I knew how to put on him without parenting something to body parts. A full report on the program and its usability ensues later, but so far it’s exceeding my expectations. Look at how close up I can get in the photos below. [Any resemblances to James Marsters and the character of Spike are completely intentional and probably accentuated by the outfit. I should have made the coat leopard print, but I was getting lazy.]
Say hello to Will’s package!
Say hello to Will’s eyelashes.
Leaving only one part of an image colored
http://www.daz3d.com/i.x/tutorial/tutorial/-/?id=905
An easy tutorial for my later use!
Marginalization of 3-D homosexuals — and where are the 3-D crossdressers?
I’ve discovered something interesting about the distribution and availability of heterosexual couples poses and homosexual couples poses for Daz.
Hetero couples poses can be downloaded for free from Renderosity. They also appear on the official Daz Web site, where you can buy the Pure Romanze set of props and poses. It consists of a gazebo, a pergola and 10 couples poses of demure, starry-eyed romance. There’s also a Budding Romance hetero couple pose, depicting mostly hugs, cuddling and other affectionate behavior. I’m not exaggerating when I say that hetero couples poses are obviously posted and freely available. They also range from mildly romantic (like the Pure Romanze set) to sexually explicit.
In contrast, I have only found homo couples poses on Renderotica [warning: this is a pretty boring site that leans heavily on stereotypical porn wear for female characters, stereotypical BDSM props and silly, silly animations] and similar age-limited sites for Poser porn. As can be expected from the general tenor of such sites, most of the homo couples poses are sexually explicit. I have yet to find a couples pose set for homos that contains casual affection or romance. Anyway, it seems that homo couples poses exist only on porn sites where you have to pay for them. They are not freely available.
Given the distribution of hetero and homo couples poses, it’s very clear to me that Daz [the developers of the program] and the general user community assumes the hetero orientation of the 3-D people you create. This is not surprising; when I was more active in Men With Dolls, people’s dolls were generally assumed hetero until proved otherwise, kind of the way it is with people. Hetero is the default orientation, so I refuse to make a stink about that assumption. It’s rampant in this world and in digital worlds.
What pisses me off is the sexualization and marginalization of homo couples. The appearance of homo couples poses solely on porn sites implies that all homos do is have sex. While we queers do make queer desire our defining feature of our sexual orientation, our queerness is not necessarily the overriding feature of our lives. Even in the case of queer activists and artists who make a living out of identity politics, they [we] do much more than have queer sex. The placement of homo couples poses on porn sites accentuates sex to the detriment of any other aspect of queer life, while simultaneously making queer couples seem pornographic, potentially objectionable and obscene, like the surrounding material.
And while I’m ranting about Renderotica [and similar sites], I would just like to ask where the 3-D crossdressers are, specifically the male ones. There is a huge interest in male crossdressing porn, which also shades into forced feminization, transgender, she-male, etc. porn. Surprisingly enough, I haven’t seen those themes represented at all. Am I the only Daz user who wants to use CrossDresser to put a male character in clothes designed for female characters? [And I’m not talking about men in fantasy robes; that’s boring.]
EDIT: Okay, I found some homo couples poses on Renderosity. Here’s Gals 1 poses with lesbian romantic poses. Here’s MM3 Guy Poses 1 with gay romantic poses. I think my point still holds, though, since I stumbled upon these just by chance.
Daz final
29.95 http://www.daz3d.com/i.x/shop/itemdetails/-/?item=1&spmeta=rq 1 monthly discount club membership
14.88 http://www.daz3d.com/i.x/shop/itemdetails/-/?item=3008&spmeta=ab head and body morphs, skin and eye colors V3
13.97 http://www.daz3d.com/i.x/shop/itemdetails/-/?item=1101&spmeta=rq V3 standard texture maps
[14.95 http://istore.mikrotec.com/philc/index1.html?page=catalog&trackerid=1677428544&category=a&vid=943124624&pid=1949675316&oldvid=2143420604 V3 everyday clothes]
[14.00 http://www.contentparadise.com/us/user/ultra_mega_pak_for_philcs_v3_clopak_1_product_3276 V3 textures]
11.95 http://www.daz3d.com/i.x/shop/itemdetails/-/?item=1032 Treadz V3 M3
20.97 http://www.daz3d.com/i.x/shop/itemdetails/-/?item=3009&spmeta=rq head and body morphs M3
9.91 http://www.daz3d.com/i.x/shop/itemdetails/-/?item=1563&spmeta=ab M3 standard texture maps
http://www.evilinnocence.com/xd/ CrossDresser!
9.97 http://www.evilinnocence.com/module.php?module=store&module_template=product&store_prod_id=244 CrossDresser M3 license
39.95 http://www.masker.zew3d.com/ Masker [Will’s makeup]
http://www.masker.zew3d.com/download.htm free Masker downloads
14.95 http://www.renderotica.com/roticashop/merchant.mv?Screen=PROD&Store_Code=renderotica&Product_Code=ixdon_mm3vv3guygalp1&Category_Code=poses M3xM3 V3xV3 affectionate poses
What’s this Multiplane Cyclorama?
Making low-res Daz people & using Cyclorama
http://www.daz3d.com/i.x/tutorial/tutorial/-/?id=1632
This tutorial takes out all the photorealistic details that I don’t need because I am supposed to be making comics with dolls, not people.
http://www.daz3d.com/i.x/tutorial/tutorial/-/?id=755
This one is about how to make your own Cyclorama backgrounds….
Today’s fridge poetry is entitled “Please Shut Up!”
The online version of Online Poetry, Genius edition, certainly has a lot of vituperative terms in it… Either that or it’s just so much fun to denigrate someone with polysyllables.
we understand that
your vapid temerity is
an amalgam of crass platitutdes
with pejorative caterwauling
& a verbose fusillade of obtuse turgidity
I learned a new word today…
An exceedingly rare occurrence, given that I know the standard “unusual words.” Today’s word is hypaethral. Can you guess its meaning from the context in the following sentence?
We were thinking of putting a roof over our porch, but, if we leave it hypaethral, we’ll get more sunlight and we’ll have a convenient location to look at stars on clear nights.
It means roofless. I learned it at FreeRice, a vocab quick with a cheap charity gimmick. My vocab level on the quiz fluctuates between 47 and 50, although, now, after 200 words, I see that they are recycling some. What’s your score?
I just found the Frederick’s of Hollywood for 3-D guys…
Some genius developed an application called CrossDresser, which allows you to reconform any clothing for any 3-D model to any other 3-D model. So you can reconform clothing for Victoria 3 to clothing for Michael 3, which allows me to make 3-D Will wear 3-D Anneka’s clothes, which saves the trouble of me finding dresses specifically for him.
Plus de shit
Goth Poser stuff from Renderosity.
Dark Moods [reflective] V4 http://www.renderosity.com/mod/bcs/index.php?ViewProduct=58167&Start=31&SearchTerm=vampire
Alexandra base http://www.renderosity.com/mod/bcs/index.php?ViewProduct=59479
Mark and Maximilan base http://www.renderosity.com/mod/bcs/index.php?ViewProduct=37061
Hair porn
Please check out this picture of Paradise Hair. It’s a hairstyle for the Daz 3D Victoria 4.1 female model. The Paradise Hair model consists of one ponytail on either side of the head with loose strands on the forehead and around the ears. Length of the ponytails can be varied.
This particular hair model immediately inspired lust in me because it’s a realistic render of Anneka’s wild, full, gravity-defying ponytails. Streams of hair! Oceans of hair! Buckets of hair! I love the watery profusion of it all, as well as the shimmering highlights and the illusion of the strands being fine and possibly charged a bit by static. I love the way that it seems to be the work of an artist who starts drawing quick strokes for the ponytails and gets so into the groove of making those satisfying swooping motions that he or she just goes berserk with them. The result looks realistic, but it is not achievable in this particular universe. It’s a fantastical style done with not just great technical skill, but also great exuberance and relish, and for that I really esteem it.
Hair and clothes
Found more dresses for guys on the Daz 3D Web site in its official store…they were all hiding in the fantasy/sci fi category because no guy would ever want to wear a dress in real life. The stupid gender binaries of these rendering programs astonish me. On the plus side of things, I found Will’s sperm-crunchingly tight pants and fishnet shirt! More links.
Will’s wave http://www.daz3d.com/i.x/shop/itemdetails/-/?item=5355&cat=125
Will’s wedge cut http://www.daz3d.com/i.x/shop/itemdetails/-/?item=2257
Will’s spike http://www.daz3d.com/i.x/shop/itemdetails/-/?item=3885
Viktor’s loose ponytail? http://www.daz3d.com/i.x/shop/itemdetails/-/?item=1522&cat=125
Versatile hair up down short long braid pony http://www.daz3d.com/i.x/shop/itemdetails/-/?item=676
Will’s pants and shirts http://www.daz3d.com/i.x/shop/itemdetails/-/?item=2057
Will’s miniskirts http://www.daz3d.com/i.x/shop/itemdetails/-/?item=729
Will’s long-sleeved dresses mid calf http://www.daz3d.com/i.x/shop/itemdetails/-/?item=5236&spmeta=rq
Kinky textures for it http://www.daz3d.com/i.x/shop/itemdetails/-/?item=1547
M3 head and body morphs http://www.daz3d.com/i.x/shop/itemdetails/-/?item=3009&spmeta=rq
Victoria 4.1 complete http://www.daz3d.com/i.x/shop/itemdetails/-/?item=4781
More Poser stuff for LHF
Including dresses, gowns and skirts for Will, which were hiding under “robes” or “tribal clothing” or “Egyptian” because apparently you can’t search for “dress AND michael” [Michael = latest Daz 3D male character] and except to come up with anything, nooooo. I’m beginning to despair of finding corsetry. Forthwith, what I HAVE found…
Leopard love seat http://www.sharecg.com/v/16164/poser/LoveSeat
Cell phone [iPhone] http://www.sharecg.com/v/16080/poser/iPhone-for-Poser
Egg chair and sci fi furniture http://www.most-digital-creations.com/free_poser_poses_textures_morphs_props_13.htm
Small bedroom and girl’s bedroom http://arcadiazone.page.tl/Poser-Files.htm
Reto chair http://www.sharecg.com/v/12303/poser/RETO-CHAIR
Bookshelves, piles of books, single books and full shelves of books http://www.joes3dfantasyworlds.com/down/misc01/misc01.htm
Posable secretary chair http://www.pretty3d.com/download_page.php?pic_id=7
Big Bertha V4 morph http://www.most-digital-creations.com/free_poser_poses_textures_morphs_props_12.htm
Eating and Drinking poses V4 http://www.most-digital-creations.com/free_poser_poses_textures_morphs_props_11.htm
Fishnet V4 http://www.most-digital-creations.com/free_poser_poses_textures_morphs_props_10.htm
More Designer Bed poses http://www.most-digital-creations.com/free_poser_poses_textures_morphs_props_9.htm
Vampire, Playing Dead and Designer Bed 1 poses V4 http://www.most-digital-creations.com/free_poser_poses_textures_morphs_props_8.htm
Couples Designer Bed poses and Couples poses for Free Chair http://www.most-digital-creations.com/free_poser_poses_textures_morphs_props_7.htm
Designer Bed and some Couples poses http://www.most-digital-creations.com/free_poser_poses_textures_morphs_props_6.htm
Free Chair and poses, glasses http://www.most-digital-creations.com/free_poser_poses_textures_morphs_props_5.htm
Facial piercings http://www.most-digital-creations.com/free_poser_poses_textures_morphs_props_4.htm
Simple bed, night backgrounds, chrome furniture http://poser.webz.cz/
Search for Lips Sofa under free stuff for Poser on Renderosity!
Bar Scene http://www.sharecg.com/v/10906/3d-model/Little-bar-scene
Manual wheelchair http://www.zme.me.uk/
Fangs for both M3 and V4 https://df38.dot5hosting.com/~posernat/store/catalog/free_stuff.php
Pharaoh of the Sun M3 [short-sleeved gown] http://www.daz3d.com/i.x/shop/itemdetails/-/?item=5144
Tribal Clothing M3 [wrap skirt] http://www.daz3d.com/i.x/shop/itemdetails/-/?item=2564
Dystopian MedBay http://www.daz3d.com/i.x/shop/itemdetails/-/?item=2199&cat=32
Victoria 4.1 http://www.daz3d.com/i.x/shop/itemdetails/-/?item=4783&spmeta=rq
Michael 3 http://www.daz3d.com/i.x/shop/itemdetails/-/?item=1558
Hair and some props
Free shit on Renderosity!
Renderosity amasses many free things for Poser. I found several kitchens [Alexandra and Maximilian’s backdrop], a bar [the NIghtcrawler], a living room [Anneka and/or Will?], multiple bedrooms [Anneka and Will], a cellar [Janet and Velvette, a kid’s room [Geordie], kitchen cabinets [Alexandra and Maximilian], a toilet, a sink, a bathtub, beds with curtains, a folding screen [Chow and Baozha], a taser [Janet], a syringe [Janet], Pocky [Baozha], barrels of toxic waste [Janet], an egg chair [Will!!], a corner sofa, a wheeled table, all sorts of bookcases [Anneka, Will and Mark], office desks [Anneka, Will, Mark, Janet], candlesticks with unlit candles [Will], a fucking Gothic tomb with removable grave [Will], a “Dystopia Console” [Janet], hats, watches, BDSM equipment [Anneka and Will], a 5-ring earpiece [Baozha], open and closed books [Anneka, Will and Mark], wheelchairs [Maximilian] and lots more….
Maybe I should just get…
Poser! It has collision detection, dynamic cloth and a mouse-based interface, plus a much larger built-in library of items, faces editable all over, editable hair, a sprawling user community with free items and…more realistic results than iClone. The base pack of Poser 7 is just around $250, and you don’t have to buy hundreds of extra bonus packs just to do simple things like make people naked or modify their clothes. Better deal?
Bang Ping, otherwise known as Baozha Bang
Look…it’s Bang Ping, otherwise known as Baozha [meaning “explosion”] Bang.
Bang-shi-fu=Lord Bang [what he wants people to call him]
Bang Chow=his full name [last, first]
Chow Mandarin=Chow the Chinaman [what his fellow sailors, who were Englishmen, called him]
Chow=his first name [used disrespectfully by Baozha, Will and anyone who wants to piss him off]
Anyway, since I just refer to all characters by their first names, Baozha is Chow’s kid.
This is my first all-around accurate iClone render of an LHF character. [Previous ones of Will were experimental and thus didn’t count. I also did Janet earlier, but she doesn’t have appropriate hair.] Everything about Baozha’s build, features and even clothing is accurate to her character. Her outfit represents my earliest pathetic attempts at customized clothing design. For example, her pants were made with a downloaded texture, originally in green and opaque, which I tweaked to look like bleached denim. Her shirt is an application of a fantasy industrial scene jpg with a clear reflection + yellow glow so it looks like it’s made out of plastic. [I foresee lots of shiny, slick and plasticky clothes for my characters.] As you can see, her face is going to freeze in that expression…
Sims 2 BodyShop Editor?!
What’s this then? An av generator? Should I be caring? I don’t know… I’ll look into it later.
They took until 2.5 to develop drag-and-drop?! *boggle*
So…I got iClone 2.1 Hooray! I have yet to do anything substantive with it, though. From what I read, I should probably just wait until the 2.5 patch, released later this season, which will make manipulating characters, props and other elements much easier.
Any developers with brains would have programmed in the capability to edit characters, props and other elements via mouse right in the real-time render screen. But no, despite the almost universal use of WYSIWYG GUIs, the elegance, ease and familiarity of these apparently did not register in the first major or second major iteration of iClone. It took until 2.5 for this basic interface to be incorporated. I wonder if the programmers tested the program on real amateur users?
Oh yeah, and on a positive ranting note, I find the site Renderosity a great source of free 2D backgrounds and textures. I downloaded some creepy/industrial/Gothic/night scenes for possible use in LHF 2.0. The only disappointment I have with Renderosity is that it contains many Poser and 3DX files that I cannot use because I do not have the software. But the thumbnails sure are pretty to look at.
BBC’s Ouch! podcast
For 30 or 40 minutes every month, you can crack up over the BBC’s Ouch! podcast, which features actor Mat Fraser and comedian Liz Carr hosting a talk and comedy show about disabilities. The two interview celebrities, banter sarcastically together and run a hysterical quiz show called Vegetable, Vegetable or Vegetable?, where they try to guess a caller’s disability based on yes/no questions. All archives are available on the site, not only sound files, but also transcripts, so you can read them if you wish. Go to the general Ouch! Web site to find columnists, blogs, Q&As and other fun stuff. Thanks to melopoeia for the rec.
iClone 2 outlay revised
iClone Studio 2.1 $199.95 [the engine]
CloneCloth vol. 1 $97.46 [so they can wear more than pants and shirts]
Classic cuts vol. 2 $17.95 [more styles for guys and gals]
Saloon chairs and table $1.59
Mahogany round table and chair 0.80
City rooftop free download
French maid character free download
German soldier free download
Geisha character free download
Apron free download
Lil2 character free download
Oh la la character free download
Elegance character free download
Amanda character free download
Gina character free download
old graveyard prop free download
open coffin free download
animated candles free download
laptop free download
study room free download
bass guitar free download
bed prop free download
stone room free download
hospital bed free download
sci fi workstation free download
lying down and blood pooling project free download
glowing green room project free download
Lilac ladies clothing download
5 women’s hairstyles free download
Agent Trinity character free download
Lilac clothing textures free download
Lilac clothing textures 2 free download
Lilac clothing textures 3 free download
Library scene free download
3 outfits and textures free download
30 motion poses free download
16 poses free download
model with stockings free download
winter clothes free download
30 more lilac poses free download
Adam Ant free download
cocktail scene lounge free download
fashion project files free download
dresses and some hairstyles free download
bodysuit and trench free download
sparkly bikini, also dress and bolero vest free download
Attack of the Clones: More iClone renders
A mad scientist discovers a fatal flaw in her master creation.
iClone render of Will, iteration 2
Okay, here we go. I imported a picture of my Will doll to use as the base for this version of Will. I couldn’t get him as cadaverous as I wanted, but the skin is a nice interesting dead color. Eyes are accurately blue, sockets accurately shadowed.
Here’s his atrocious yet riveting outfit. Both the pants and the boots are “female casual.” I didn’t know over-the-knee fuck-me boots were casual wear….
And here’s a close-up. Why yes, he is smirking with 100% “Evil Intention.” He also looks like David Bowie, no?
Empty sockets
Well, this set was intended to show Will’s naturalistic posture in my living room, knees curled up toward his chest, hands in his lap. Instead, I cranked with the levels, contrast and Dark Strokes filter to get these pictures. He either looks like he has skull holes instead of eyes or he’s been punched in the face…take your pick.
iClone 2 render of Will
Using my trial verson of iClone 2, this is as close as I can get to Will. Hairstyle is inaccurate [not sticking up enough], as are eyes [not brown] and pants [not tight enough], but the complete lack of fashion sense, the cadaverous build and the eeeeevil smirk are right on. I am very amused to note that there is an “Evil Intention” emote generator, which I cranked up to 100% to get the following smirk.
iClone 2, interestingly enough, separates everything by sex. Bodies, clothing and shoes are understandable. [In a bonus for me, women can wear “male” clothes and men “female,” although “female” tops have prefab breast bumps in them which do not look good on a male character who is not a drag queen. In the case of shoes, though, it’s no problem. Will’s wearing “female” casual black boots.] But even body language is segregated! “Male” poses connect solidly with the earth, looking dynamic and forceful, while “female” poses show more imbalance and tentative, swaying movements. [But the sex of the character does not determine available poses and motions; Will is in a “female” casual seated posture.]
iClone 2.0 outlay
Assuming I want to use it…
iClone 2.0 Standard $79.95 [the engine]
Furniture Pack 1 $39.95 [because they need beds and chairs and tables, but that’s about it]
Working Fashion Theme Pack #1 $97.46 [because they need to sit, stand and talk — that’s all they do]
Total $217.36
Monetarily speaking, that’s actually cheaper than 1:6, given than I’ve probably spent $2K [?] on 1:6 in the past 5 years, maybe more. {We won’t talk about my BJD spending. Oh, okay, we will. I’ve had Zephque, Sardonix 1.0, Jareth, little Jennifer, Frank, big Jennifer, Submit, Sardonix 2.0 and Will, which is 9 dolls, not to mention their clothes. I’d say that I’ve spent about $9K on them in the past 3.5 years.]
Alternatively, iClone 2.0 Studio is $199.95 and it comes with Working Fashion Theme Pack #1.
Cool Clones has downloads.
Cool Creators has a store.
I would like to try before making a commitment of several hundred dollars!
a decaying glass universe
Working exhaustedly with the online Poet supply of words from Magnetic Poetry’s Web site.
of a decaying glass universe
encircling the weary sky
with ghostly streams of used eternity
Sensations of death via an article in New Scientist
Just in time for Halloween, New Scientist’s October 13, 2007 issue has an article about what various types of death [hanging, drowning, bleeding to death] feel like, as reported by those who have survived massive injuries. I was particularly interested in the effects of exsanguination which, it turns out, are just an extreme version of what happens after donating blood.
How to make a web comic
Option: 1:6 dolls and backdrops
I know how to do it.
Reasonable photography skills
Instant manipulation
Instant control over light and setting
Portable
Inexpensive
Computer needed only in after work
Cons:
I’m burned out on that medium.
Pasting them into photoed backgrounds takes time.
No diversity of body shapes
Takes so much time
Low-res results
Option 2: Software like iClone
Diversity of body shapes
Import faces of existing characters
Avatars look plasticky
Easy pasting in photoed backgrounds
Photography and composition skills applicable here
High-res results
Outlay equal to that of 1:6
Mega-zoom
Cons:
Program’s learning curve
All time at computer
Less fluid, more stereotyped posing [fetal position, head in hands, handshake, eating, having sex poses available?]
Large initial outlay
How many characters per scene?
Option 3: Photos to line drawings
Simplification of messy photos
Just like original LHF
Cons:
Just as much work as original LHF
Loss of significant, affecting detail
No showcase for photoed backgrounds
Option 4: Get a drawing partner
More time to concentrate on story
Cons:
Lack of complete god-like creative control
Necessity of compromise
Infiltration of someone else into my ideas
Option 5: Draw a simple sketch comic
Simple
Characters easily caricatured
Cons:
Lose subtleties of light, shade and expression
Can’t draw dynamic poses and backgrounds well
Option 6: Draw a detailed realistic full-body comic
Pros:
Complete control
Limited by imagination, rather than doll shapes and clothes or software limitations
Cons:
Lack of drawing skills
Option 7: BJDs and backdrops
High detail
Showcase for photography
Even moodier
Cons:
Heavy
Bank-breakingly expensive
Space hog
Option 8: Export from something like Sims
Highly customizable avatars
Shot control
Cons:
Not compatible with photoed backgrounds
Existing faces not importable
Pathetic scenery
Too flat-looking, not plasticky enough
L’Harpiste Mauresque
Extra, extra! Remember the delicate, skeletal harp-playing double amputee I linked to yesterday? Her name is L’Harpiste Mauresque, or the Moorish Harpist, and she was created around 1880 by the French automatonist Gustave Vichy.
Well, there’s a full version of her at the Morris Museum in Morristown, NJ, and she’s wearing golden spangles and seated on an octagonal stand. If you go to the Morris Museum’s main site, then Current Exhibitions, then Musical Machines and Living Dolls, then the picture of L’Harpiste [last one in the first row], you can see a high-quality video of her playing and, yes, moving her eyelids.
Here’s a still from the February 2005 Journal of Antiques, where you can see her expressive little purple face.
for the links.] I like the haggard-looking one better… I want one.
my sharpened tongue
It’s hard to concentrate at work. [No, really??] Forthwith, some spew from the online Romantic selection of Magnetic Poetry [TM]. I like the sharpened tongue the best…it’s the little inhuman touches that are most effective… :p I notice that all of my fridge poetry appears to be about death, disturbance and violence. Or sex. Or several of the above. WOOOOO HOOOOOO!
warm blood soaks my sharpened tongue
I drink I devour I am drunk in this hour
oh a world of wild redness rushes through
my skin
Lazy comic creation
suggests a program like this, which converts photos into line drawings. I wonder if I could make this work for a comic strip. I could take pictures of characters in stereotyped positions, then mix and match parts…? I know that Oh My Gods!, a much simpler comic strip, uses preselected parts to construct the characters, and Two Lumps is just lazy, reusing images of the cats with different expressions. Maybe I could use a similar method WITH SLIGHTLY MORE FINESSE. [I miss LHF.]
I think her eyelids move…
This is an automaton from the 1880s, unrestored, a bust of a harpist playing a song. The skeletal and stained condition makes it all the more affecting and compelling. She’s beautiful!
wild ripe night
I was just messing with Magnetic Poetry’s online Garden suite of words. I was trying to see how much I could pervert it. I think I succeeded. This one is for all you vampires out there….
fresh with gritty magic
eat a child as fruit
thrive on fecund blood
revel in wild ripe night
tantamount to temerity
I checked out a fridge poetry community, but all the entries were too serious and/or pretentious, so I left for Magnetic Poetry, which has a Web site where you can futz with some of the kits. I used the Genius edition, which is more like the Regular Vocabulary edition for me. I like “tinged with galling language” and “tantamount to temerity” the best. They just speak trippingly on the tongue, you know. Tantamount and temerity are good words to eject contemptuously and if you get them both together you just have a veritable mortar spray of plosives!
tinged with galling language
secreted in veiled books
by a trenchant cunning woman
whose mellifluous opinions
are tantamount to temerity
I’m older than you think.
One hundred years older…
Just like a Real Artist [TM]!
I got some new paintbrushes today. I will NOT be storing these bristles down. Anyway, I got out my supplies…
Then I shaved some pastels with my craft knife onto my technologically advanced palette:
Then I made a mess all over Will’s face, putting some brown around his nose and on his philtrum and, most significantly, a thin layer of purple shadows [see unmixed blue + red above] under his eyes. Here’s a harshly lit shot that shows the additions. I am just now exploiting his darkened eyes in a formal shoot.
Dead people, demons and other fun stuff, Tuesdays at 9 PM
Reaper is about a 21-year-old guy whose parents sold his soul to the Devil, so he has to be a bounty hunter for errant souls. Reviews say it has witty banter and comedy. I’ll bite, but I’m damn well spittin’ it out if it don’t taste no good.
Is “undead” a legit TV subgenre now?!
Why does mint taste cold?
This is why you should listen to Quirks & Quarks because you can learn the answers to riveting scientific queries of the day, like this one.
The sensation of mint as cold has long fascinated me, but I have never known why mint makes my mouth chilly. Now the answer is here. Apparently mint, like Tabasco sauce, stimulates your taste buds with a sensation like pain. It’s not technically a taste, but rather a feeling of pain!
Because your taste buds have been primed by this painful mint, anything cold that you eat afterward with seem colder. Interestingly enough, anything hot that you eat afterward will seem hotter.
Mint also increases your salivation and washes away thick protective saliva from your taste buds, so more of the cold or hot thing hits your naked, shivering taste buds.
Messy nasal shading
Will had some marks on his nose. I tried to erase them with paint remover. In doing so, I erased all the paint from his nose, forming ragged edges between his paintless bridge of his nose and everywhere where the paint is. I tried to fix this today by applying some shaved pastels to the ragged areas. The result is very messy because I was working in low lamplight, not natural daylight. Also my paintbrush was frazzled. Finally, I have a messy and unfinished style of painting and drawing anyway.
I’m not really perturbed by the messiness. When I first got Will, he looked perfect, pure and unblemished. I admire the high grade of resin used to make the doll, but the appearance of the doll is not accurate to Will’s character. Will is supposed to be over 130 years old. While his body has remained at approximately 30, he has suffered over a century of wear and tear. I imagine him as beautiful but also haggard, more like an aristocratic, finely made-up old lady who used to be a pageant queen, rather than a person in his shining prime. My messiness thus takes away his flawless appearance, but he’s not supposed to look young anyway.
giftless juice of a screaming symphony
Figured out the peculiarity of Magnetic Poetry. With its preponderance of adjectives, it has no association with workaday language, so it all but requires a) endless concatenations of nouns and adjectives or b) strings of adjectives that you would not expect to go together. Case in point is today’s effort. Also I swear that I didn’t set out to write about cunnilingus. I just realized after that the last clause could be interpreted that way.
white love & the
giftless juice of a
screaming symphony
beneath the thousand
smooth tongues
of girls
to crush the delirious moon
…Continuing the tradition of complete and grammatically correct sentences created with Magnetic Poetry [TM]. Not particularly inspired by anything, except we had all the adjectives collected together, so fast, true and black were nearby.
shot up to the lightless pole
to crush the delirious moon
& so I will sleep in honey
In an alternate universe, Buffy is scared of vampires…
Given the huge popularity of Buffy the Vampire Slayer, this Chick tract about a kid named Buffy who hates spiders, vampires, Halloween because it’s the “Devil’s holiday” is really, really funny. Trick or treat…would you like some irony with your waxy candy corn? Site contains full text and pictures of all other Chick tracts. As a bonus, here’s an MST3K version of Dark Dungeons, about an anti-D&D Chick tract.
“Flock of Seagulls hair!”
So saith my wife when she sees Frank and Will in their new-to-me fake fur Wicked Wigs. I picked these up today in a face-to-face exchange with DOAer SolarCat [Lauren]. I showed her my Soom Sabik; she showed me her Soom Kanoa, an irresistibly smirking little guy with a great pointy nose. She sold me the Wicked Wigs for 1/3 of list price, and I got two well-crafted wigs that fit closely to the contours of my dolls’ heads.
I’m pleased with the construction and quality and even more with the result. The length of short-pile fake fur is a much better approximation of Will’s hair as I imagine it in my head. Picture below [crappy, low light], with Frank just in time for Halloween and Will apparently anticipating Xmas.
Pushing Daisies: Watch it before it dies.
Hi, I just watched the pilot of Pushing Daisies on ABC. Those of you who enjoy candy-colored, quip-ridden whimsy should check out this show before it is flushed down the inevitable toilet. Its well-balanced construction of consistently witty writing, neatly sketched characters, sun-drenched nostalgic colors and perky narration can only last so long before one of two things happens.
So, anyway, Pushing Daisies is about a pie maker who can bring people back to life with one touch, then kill them again with the next. Ned [Lee Pace, deadpan] spends his days making perfect pastries and solving murder cases with the victims’ help, splitting his rewards with sardonic investigator friend [Chi McBride, suitably snarky]. Everything going swimmingly until he resurrects childhood crush Chuck [Anna Friel, unusually bright and punchy for a charming love interest]. Now she’s alive when she’s not supposed to be; he can’t touch the woman he loves, and there’s this matter of her killer still menacing people nearby.
The overdetermining narration very nearly pushes this slight, comic tale into the land of tooth-grittingly saccharine TV morals, but the collective skills of the cast really bring the conceit out of cleverness and into something memorable, even occasionally resonant. All major characters have lost something — Ned his mom, Chuck her dad and her normal life with her aunts, her aunts their synchronized swimming careers and an association with the outside world, Emerson any sort of semblance of normalcy in his life. In a show that’s all about an endless cycle of losing and gaining, I hope that the makers have the courage to explore both the light side of rebirth and the dark side of death. But I doubt they will because, like I said, the show will either turn too ooey-gooey for its own good, or it will be nixed for being too inventive.
So far, Pushing Daisies compares favorably with many shows and movies I have seen… For just a few… The tongue-in-cheek narration and Technicolor brightness reminds me of the movie Amelie. The clean suburbia populated by shining caricatures of people and sneaky gallows humor recalls the movie Beetlejuice. Chuck’s struggle to with the end of one life and the beginning of another reminds me of the premise of Dead Like Me. The carnivalesque view of characters as lovable freaks reminds me of some of Ray Bradbury’s fiction for young adults, especially Something Wicked This Way Comes.
Life expectancy quiz
Oh rapture, joy and ecstasy unabated…I found the BASIC life expectancy quiz I used to mess with on my Commodore 64. It’s in an out-of-print book of BASIC programs that have been all scanned and made available online. Isn’t that great? I really have to find a BASIC emulator so that I can do simple programs. Then I can make silly questionnaires and revel in the nostalgia.
New TV shows
Well, I wanted to watch the Moonlight premiere last week [about the tortured cliche vampire falling in love with a stereotype human woman], but I missed it. Maybe I’ll catch it this week, although I see that Pushing Daisies, another show about a human/undead relationship, is premiering tonight, so I might want to catch that. Furthermore, season 3 of Supernatural begins this Thursday, but I don’t know if I will be able to catch that, which is tragic, given my current VIOLENT crush on Jensen Ackles [who plays Dean]. Dammit…so many walking dead, so little time.
My hair is fabulous, and the rest of me is naked.
I’m purchasing two fake fur wigs from Wicked Wigs secondhand. One is a patchwork of black and orange, the other a twist between white and blood red. Will’s wardrobe may never progress beyond leather pants and a black tank top, but he’ll have hot-rockin’ hair.
Elfdoll Halloween Hana witch and wizard
GODDAMMIT! Just when I have no money, Elfdoll releases the little Hanas again, this time in pale white, with witch or wizard costumes and POINTY SHOES! Since they are limited editions, I will probably never get one.
These are extremely cute dolls, and they make me really [sniff] miss [sniff] Submit. I had such fun with her character, even though I didn’t have her for long. She was sacrificed to a good cause, though [moving expenses].
My wife says, “Well, Sardonix came back into your life, didn’t she? Maybe Submit will.” Assuming I get a RAISE at the end of this year…
News site
Supposedly an indie journalism site, Alter.net provides analysis under the major radar.
Flaming…
Especially with messed-up levels and high white contrast.
The original:
Flaming…I like the way his skin turns orange, as if it is a banked coal. He looks full of vitality, which he isn’t.
Black and white version… I like this one for the way in which the hair in his eyes has been changed to strands of light.
Messing around with Photoshop even more…
When you’ve been wearing make-up for 100+ years, it becomes very, errrrr, stylized….
Before…
After… [“Dark strokes” filter added.].
I’m not Goth. I’m just filtered that way.
“Dark Strokes” filter adds a whole bunch of eyeliner…a whole bunch.
There was a book in this shoot…
…But it disappeared in my fascination with Will’s head.
Same.
La meme chose.
Watch this??
Ultraviolet, a TV series from 1998. Contains vampires, naturally.
Lady in red
For some reason, those song lyrics are in my head. Here are some artsy-fartsy shots of Will with hair that approximates his actual length of hair.
TWoP interview with James Marsters: Sexy intelligence and BTVS insights
I really respect highly accomplished artists who fuse technical skills with passionate execution and attention to detail. I respect them even more when they are intelligent, analytical people who have insights into themselves, their craft and how their craft affects others. For example, Sarah Michelle Gellar is a highly accomplished actor, and I respect that, but I can’t respect her as a person because she’s not very thoughtful or reflective; plus she’s really squandering her talent.
James Marsters, on the other hand, ranks right up there with David Bowie for me. He’s really talented AND really intelligent, not to mention jovial and humorous, as you can see in the latest Television Without Pity interview. After reading the transcript, I conclude that he seems to be a charismatic, extroverted person with the gift of making almost anyone feel relaxed and accepted.
Anyway, in case I need any more reason to have a crush on him, here he is saying intelligent things about the massive popularity of Spike in BTVS. Brains are such a turn-on. A cut from the TWoP interview:
CB: Speaking of Spike, one more question about him. Obviously, I don’t have to tell you how popular a character he is, but if you can separate acting ability and looks from the equation, what is it about his essence that makes him so alluring?
JM: Hmm…that’s a really hard question for me to answer, because I wasn’t objective about it. I think at the end of the day, it’s either of two things or both of them, and one is probably more for women than men. But the first is that the show wasn’t supposed to be about sexy vampires. It was supposed to be about ugly vampires who die. The mythology was that the vampires stood for what sucks about high school, and so Joss got talked into Angel, which was not in his ground plan, and the character just took off, and he’s like, that’s it, it’s one sexy vampire, I will allow you no more. And then I come along, and I think that he was trying to keep a cap on…he recognized that I was thematically dangerous to his show. He didn’t want it to become a soap opera of sexy vampires. And so he, uh, marginalized the character, and it’s ironic, because the show is about outsiders, it’s about people who are not the popular people, and he didn’t really realize it, but he created within…so the show is about these outsider outcasts, and in this group of outcasts, there’s this other outcast. So he made me the super-outcast, and the show speaks to everyone who feels sometimes like an outcast, which is pretty much everybody. So thematically, I don’t know that he meant to set it up that way, but it kind of went down that way.
China Executes Lead-Contaminated Toys!
Sometimes The Onion is funny, but, when the writing committee combines its historical perspective and incisive sarcasm, as in this article, their satire can be almost sublime. I especially like the ways in which the conventions of genocide and execution have been adapted for toys, with the Barbies being “separated from their Kens” and “leaned against the wall” for the firing squad [because they can’t stand up by themselves]. The best detail, however, is the nonchalant, almost bured mention of civilian deaths. Genius!
Another book to get
Made to Play House: Dolls and the Commercialization of American Girlhood, 1830-1930 (Paperback)
The Darkened Room: Women, Power, and Spiritualism in Late Victorian England by Alex Owen
A blog to poke into much more thoroughly
Morbid Anatomy is a compendium of posts about medical and death-related art, such as post-mortem photos, anatomical waxes and ecorches [engravings of partly flayed people showing musculature]. Off I go to waste my lunch hour. Janet would definitely have some of this stuff in her lab alongside the Kraftwerk posters.
EDIT: The links from Morbid Anatomy are most instructive and detailed. For example, The Fantastic in Art and Fiction is a bank of thematically grouped images [Madness & Possession, Angels & Demons, the Grotesque] from across the centuries, supplemented with lists of scholarly studies, literary works, plastic arts and movies that pertain to the theme. There are many wonderfully freaky out-of-copyright images here that would be great for indie authors illustrating their own book covers.
your likeness behind me shines & incubates purple shadows
We have long had magnetic alphabets on our fridge, but those have only so much entertainment value because we quickly reach the limit of 52 letters [2 alphabets]. When we moved into our new apartment, I bought some magnetic poetry. I enjoy using it, but then I want to preserve my stupid creations for all eternity, which prevents me from raping them for recombination. So I’ve decided to photograph the results of my magnetic maundering. As you can see, it’s all in character: long sentences that take unexpected turns as they tell fantastic stories burbling with unusual conflict.
First effort, early on in September… It was supposed to be “bitter iron cities,” but apparently the basic Magnetic Poetry set doesn’t have cities in it.
we love gorgeous winding road trips
under lazy pink mists
away from those bitter iron forests
& into the easy cool void of death
Second effort, same date of early in September. When you divorce words such as “breast” and “blood” and “wave” from context, you realize that they can all be nouns or verbs.
peach visions breast the
delicate winter waters
Effort from last night. Is it just me, or does everything sound erotically charged with this damn magnetic word game?
we are weak from these
luscious moments & drunk
on beauty together
Another effort from yesterday, probably someone straining desperately to have a rational reaction to a supernatural apparition. I suspect the sordid urges are winning. They usually do. They were originally “bloody urges,” but, combined with “flooding,” that left a menstrual impression that I didn’t want.
will you please elaborate
for your likeness behind me
shines & incubates purple shadows
flooding my will with sordid urges
Books to read:
Garnered from the bibliography of the jargonlicious article on philosophy of corsets:
The Body in Pain: The Making and Unmaking of the World
Uneven Developments: The Ideological Work of Gender in Mid-Victorian England
That’s not a word!
You know what really pisses me off? When I’m reading an otherwise cogent, insightful and pretty well-written work on the philosophy of Victorian corsets [‘Hooked and Buttoned Together:’ Victorian Underwear and Representations of the Female Body, Casey Finch, Victorian Studies 34(3):337-363], and the author pulls a sentence like this out of his/her ass:
The ideology of reproduction was troped into a system of erotics where the meaning of sexuality operated not as a public “fact” but as a private secret.
TROPE is not a verb! It’s a noun, a pretty obscure noun, unless you live in the rarefied atmosphere of the academy. Bloody hell, people! “System of erotics” is just as bad. What is a “system of erotics?” Nobody knows! How am I supposed to enjoy my history of underwear if you keep making up jargon-laced sentences that don’t actually mean anything?!
Why not write something like this:
Erotic images centered around women’s reproductive capacities and visible sexual signs slowly changed into a set of erotic ideas about sexuality as dissociated from public reproduction and thus secret and hidden.
Sure, my version definitely has more words in it, but it’s much more readable, especially if you stopped living in an English department upon graduation.
Histories of underwear should be lucid, limpid, lively, highly illustrated and see-through, not complicated, obscure and difficult to undo.
P.S. And, if you’re going to use “trope” as a verb, don’t use it twice within 4 pages! Bad form, as Captain Hook would say.
Good, evil and moral heterogeneity in some supernatural TV shows: BTVS, Charmed and Supernatural
Whether you believe that the universe tends toward good, bad or mediocre, there’s still the question of where to assign these capacities. Are people good, bad, good+bad, bad+mediocre, etc.?
Such questions are complicated in TV shows with supernatural elements. BTVS, Charmed and Supernatural all accept the existence of non-human creatures, including demons, ghosts, spirits and monsters. The question of moral value applies to the supernaturals as well. In each show, the supernaturals have different moral values. In BTVS, they’re morally heterogeneous with a tendency toward goodness and humanity. In Charmed, they are good and bad, with bad being more potent than good. In Supernatural, they are just bad.
BTVS, as I have discussed before, makes its monsters sociological metaphors for the struggles of modern bourgeois youth. Said struggles, such as having a romantic relationship, entering the work force, graduating from high school, going to college, being responsible for siblings and getting married, are neutral in and of themselves, not inherently good, bad or mediocre. Thus, by extension, the monsters that personify these struggles aren’t inherently good, bad or mediocre either.
In fact, BTVS’ entire trend seems to be toward humanizing and discovering the good and beneficial in something that first appears as a puzzling, bad threat. Example: Angel used to be a person, but was transformed into a soulless demon, but, due to a curse, literally became human again when his soul was returned to him. Though he does lose his soul for a good part of season 2, he eventually returns, subdues his soullnessness and recurs occasionally on the series as a friend and helper. Despite his morally offensive past and his period of death-dealing in season 2, the surrounding characters believe in his perfectibility, and the show ends up putting more emphasis on his peaceful, helpful, caring actions.
Same with Spike, who started off cheerfully sadistic and rather flat in his first appearance because he was only supposed to be a one-off antagonist. Due to audience popularity, however, he was introduced as a regular and suffered the entire series getting the moral repulsive parts of him beaten into submission. [Hmmm, I think there’s another essay here about the endless degradation this character goes through — mocked and abandoned by sire Drusilla, inserted with computer chip and experimented on a la lab rat, chained in Giles’ basement for a good chunk of season 5, exploited as a sex toy in season 6 by Buffy, physically pounded by that demon who returns his soul, possessed by the First in season 7. It’s like some sort of torture porn narrative on how to break the will of a restive sub.] Anyway, he ends up pretty much good.
Finally, there’s the character of Dawn, who pretty much embodies the whole theme of threat made human. I mean, she’s a big glowing ball of energy that, if harnessed by Glory, could bring about the end of the world. But she is personified, literally made into a person, and she is shown as capable of love toward Buffy and Joyce, friendship and solicitude toward the rest of the gang — typical tendencies toward moral good. The entire crew responds to her not as a doomsday device, but as a person who has dangerous powers, but is worthy of respect and love. All of this is to say that the BTVS universe may be full of inhuman things, but the general tendency is to seek the understandable, good and redeemable in these things and force them into moral, controllable, acceptable domesticity. [This begs the question: If something doesn’t want to be good, should you make it so?]
Charmed, tragically enough, lacks the depth, subtlety and emotional heft of either BTVS or Supernatural, preferring instead to base its longevity on boobs and comedy [and comic boobs]. That said, it has an interesting moral framework in which good is distant and ceremonial, while evil is corporate, ruthlessly efficient and immediate. What strikes me most about Charmed is that, aside from the Halliwell witches, there ain’t much good directly available for them to depend on. Supposedly they get help from whitelighters, but do we ever actually see them? I watched a bunch of season 4, and they never appeared! In fact, they were notable for being off-screen. Leo visited them once an episode for help or advice, but his absence always led to demons hurting someone, and the advice he came back with never did any good anyway. In summary, the forces of good in Charmed are just a plot device with no actual moral bearing.
On the other hand, as the season 4 arc about Cole being the Source and trying to get an heir illustrates, the baddies are amongst us! Apparently the evil minions of the Source occupy skyscrapers and offices in downtown San Fran. They work effectively through a familiar corporate structure where the Source is like the CEO, and the demons who all sit around the table are like middle management, and the ones who actually appear and snarl at people are like the labor. Evil doesn’t just exist in Hell [world’s cheapest Hell set = sound stage and dry ice], but here on this plane. It has regiments, legions, armies! How are three witches who are too busy flashing their tits supposed to combat this stuff? Even if they are “aided” by a terminally dense and frequently off-screen whitelighter [I’m looking at YOU, Leo…], their cause is hopeless. For all its gooey insistence about “the power of three” and the strength of family ties, Charmed has a grim world view.
Supernatural is pretty binary about its assignment of moral values. All the good goes to the humans, all the bad to the supernaturals. The only good supernatural is a dead supernatural. You might say that the cow-sucking vampires in Bloodlust were good because Sam and Dean let them live, but those vampires were permitted to live in the same way that non-practicing pedophiles are reluctantly allowed to settle down in boarding houses instead of under highway overpasses. In the moral calculus of the show, those vampires are still morally objectionable because supernatural, no matter how restrained and non-murderous they behave. They are tainted, and they can’t ever be cleansed.
Evil in Supernatural is irredeemably evil; in contrast to BTVS, empathy doesn’t help at all. Supernatural makes gestures toward psychologizing and understanding the activities of the paranormal creatures. In Playthings, which was about a ghost girl who wanted to drown a living girl so she could have a friend for all eternity, the show gestured toward poignancy by suggesting that the spirit was really lonely and, like most kids, wanted someone to play with. But no attempt was made to deal with the spirit by any means except the usual: KILLING IT!
Realistically enough, stabbing every damn threat in sight is a psychologically valid reaction when the paranormal creatures you encounter are just your own private problems writ large. Killing things, in this case, can be seen as a mental defense mechanism, Dean and Sam’s way of avoiding the reasons for their psychological disturbance. They do that a lot…avoiding. In season 2, they’re always keeping secrets from each other; Dad sacrificed his soul for Dean, but shhhh, that’s a secret. Dad says Dean might have to kill Sam, but shhhh, that’s a secret. Dean promised his soul to the yellow-eyed demon to get back Sam, but shhhh, that’s a secret. Not to mention the whole ingenious frame of the brothers tooling around in a car — that’s a master image of avoidance. Sure, they may be driving to jobs, but they have no fixed destination, which smells even more strongly of RUNNING AWAY than it does of any particular QUEST. Anyway, my point is that all the supernaturals are bad because everyone thinks they’re bad, which leaves open the hope that Supernatural might move on to a more morally heterogeneous view of paranormal creatures as Dean and Sam address their hang-ups more directly. In the mean time, paranormals are BAD and brotherly love wins the day [not THAT kind!].
Frank uses his improved arms.
Naturally he employs them to feel up Jareth.
Group shots: my desk layout and a group portrait
Here’s what my desk looks like in my new apartment. As you can see, everyone is very interested in whatever I do on the computer! [I have no idea why it’s so small. I must have resized it twice.]
And here’s a larger shot of my entire collection of BJDs. Frank and Jareth are not looking at the camera because they are too busy taking advantage of Frank’s new arms and groping each other. Will, as usual, is ennuye and melancholic, so he can’t be bothered to look at the camera. Only Jennifer and Sardonix are paying attention, probably because they figure that, the sooner they cooperate, the sooner they can return to stabbing annoying people with a unicorn [Sardonix] and writing in her memorandum book [Jennifer].
Contrast makes moods.
More messing around with burn/dodge [on the eyes] and wild skewing of levels and contrast. Will just conduces this somehow.
Frank N. Dolly
Frank now combines the head of Volks Yukinojo, the body of a Model Doll girl [Bella Auden] and, for the most recent addition, Twiglimbs arms and hands made by twigling. Poor Frank has been languishing without arms since the end of August. A month later, I finally got around to reassembling him today with a pathetic improvisation of regular stringing elastic, round cord elastic suitable for tinies and 18 gauge plastic-coated steel wire.
I’m extremely pleased with the result. Ever since I got Frank’s Model Doll body, I disliked his narrow shoulders and scrawny, slender arms. Now with the Twiglimbs arms and shoulder cups, he has appropriately broad shoulders. His thicker arms and larger hands are also much more proportionate. Now his overall look is one of extreme muscularity and extreme curvaceousness, which is a much more accurate representation of how he looks in my head. The addition of his robust arms also makes him look less like a lollipop and more like the ambiguously sexed and gendered being he is. His arms have the squareness and muscle definition usually associated with men, as does his face. The rest of him, however, looks ridiculously long and curvy, like certain comic-book heroines. Success!
Power of love?
So Dollmore, known for its slightly silly names [see Pubis Club outfit], has just issued a new male Model Doll named Huey Lewis. All you children of the ’80s must agree that this begs the inevitable question: But where’s the News? :p
Monsters as metaphors in BTVS and Supernatural
I like supernatural creatures. Partly I like them because they are a testament to human inventiveness in the face of the unknown and inexplicable. They’re beautiful creations of folk logic [“Well, if it looks like the corpse’s nails and hair are growing and it’s in a pool of blood when we dig it up, that means it must be alive and feeding on blood!”], fear and wonder. That’s why I will devour stories about them: because, as human creations, they are clever, rich and powerful, full of meaning… They’ve got a hold on us.
I also like supernatural creatures because they work as lovely metaphors, which partly explains their continuing fascination, even to people who do not believe in them.
…Which gets me to the subject of BTVS [Buffy the Vampire Slayer] and Supernatural. Both of them have the same premises, in which vigilant, unnaturally empowered humans eliminate supernatural menaces. However, both shows have different metaphorical perspectives on the monsters that each main character confronts. In Buffy’s case, the monsters are metaphors for the trials of adolescence. Those involved with the show have said as much, and people who analyze BTVS have hammered this point home ad nauseam.
BTVS’ conception of monsters as the challenges of modern bourgeois adolescence appears most clearly and humorously in an episode like Doublemeat Palace, in which Buffy is forced to take a low-status, low-paying day job at a fast-food place to support herself and Dawn. This being Sunnydale, a demon haunts the place, killing employees. It’s not much of a stretch to see how dead Doublemeat employees make concrete the fear of Buffy [and many modern bourgeois teens] that your horrible first job will crush your soul and make your life meaningless.
Even such a plot arc as Angel’s re-demonization after he and Buffy have sex — even this development can be interpreted as a universal teen turning point. While Angel’s loss of a soul after sex with Buffy is clearly the manifestation of a personal demon, an anxiety that Buffy has by her own self, it’s also a more universal panic among modern middle-class girls. Angel’s unensoulment realizes the feminine panic that one’s boyfriend may turn nasty, avoiding calls, harming friends and generally behaving like a dickhead, after one dares to be intimate with him. It’s a generalized feminine fear of crass exploitation by a male sex partner.
BTVS’ view of demons may properly be labeled a sociological interpretation, insofar as demons are taken as metonymic of the problems facing a whole group of people [modern bourgeois teens]. As we move over to Supernatural, we find that its view of demons may properly be labeled a psychological interpretation, insofar as the demons personify anxieties peculiar to the characters involved.
Season 2 shows some obvious examples of demons as psychodynamic figures, especially in the plot arc where Sam is worrying about being a “chosen child” according to the yellow-eyed demon. Being a chosen one or potential bad seed is not a problem endemic to modern bourgeois teens; by contrast, it’s a problem in Sam’s own head [and in Dean’s too because Dean hangs around with Sam]. Conveniently enough, many of the monsters that the brothers encounter exemplify Sam and Dean’s worries about Sam’s identity.
I mean, for God’s sake, season 2 gives us not one, but two, eps about shapeshifters: The Usual Suspects and Nightshifters. In both cases, people behave in unexpected ways, and the brothers must determine whether this unexpected behavior signifies a long-hidden part of someone’s true character or whether it means that someone is being exploited by malevolent forces. In Born Under a Bad Sign, the show’s psychodynamic interpretation of demons becomes explicit when Sam is possessed. While Sam thinks that the murders he committed when he was possessed indicate that he is truly a bad seed, Dean argues that the murders can be explained by an outside evil force: a demon. Avoiding the whole debate on free will that subserves this disagreement between the brothers, we can still clearly see that the demon is an excuse to debate Sam’s individual psychological problems: Does he have an unavoidably demonic [=evil] destiny, or can he overcome these tendencies to be a good person [the kind his brother thinks he is]?
It may also be pertinent that, in BTVS, the monsters inhabit a range of moral values [see, for example, Spike, who runs the gamut from gratuitously sadistic and BAD in season 2 to noble, self-sacrificing and GOOD in season 7], while, in Supernatural, they all exist on the BAD end of the moral scale. However, this is probably a separate essay.
Supernatural arrived!
I got my season 2 of Supernatural in the mail today! I’m so excited! I’m disappointed with Half.com’s “expedited” shipping, however. The default shipping method is media mail, which takes 2-4 weeks. “Expedited” shipping is regular first class.
Fine, right? Well, my “expedited” DVDs took a week to arrive from TN. First class mail, even a package, from TN to MA should take 3 days, according to the handy-dandy postage calculator at the USPS Web site. Why did it take double that? Why did I even bother “expediting?” [Answer: Because I wanted my dose of stupid TV NOW!]
Half.com is not the source for instant gratification or even slightly delayed gratification. The low prices are so low in part because the shipping is a flat fee for a slow postage method. Most of the time I can stand the trade-off, but I was especially impatient for these DVDs.
My Jareth doll in print?
Back in February, 2006, Mercy on DOA put a call out for “celebrity dolls,” that is, BJDs made after famous persons, real or imaginary. I submitted information about Jareth and Frank. Anyway, out of the blue, Mercy PMed me to say that pictures of someone [I think it was Jareth] got into Doll Reader a few months ago, and she’s trying to get Doll Reader to send me a copy of the magazine. That was completely unexpected. So maybe some day eventually I will get a copy of a magazine with a picture of Jareth in it or at least a quote from me about him. Fascinating, I know.
Phantasmagoria: Spirit Visions, Metaphors and Media by Marina Warner
Moody shots of Will
When I look at Will with my eyes, I feel as if I am seeing his character the way that he presents to the world. When I look at photographs of him, I can adjust color, contrast, levels and burn/dodge so that I can see his moods, feelings, thoughts and parts of his character’s mental state that he keeps hidden. Apparently his mood have lots of eyeliner….
The sad, ironic and really insulting anti-abuse ad
If you really want to see an offensive ad, check out Kabayanihan’s anti-violence print ad below the cut, courtesy of AdverBox.
The ad contains outlets labeled Wife, Partner, Soul Mate, Confidant, Spouse, Friend, Better Half, Companion, Cover Up, Concubine, Servant, Punching Bag, Vagina. A plug is in the outlet labeled Vagina. The text nearby says, “How some men think of women.” Then it says in smaller letters, “If you are a victim of abuse, please report to Hotline number 603 2143 3361 and we will help. Kabayanihan.”
Where do I begin detailing the stupid, sexist, reductionist attitudes operating in this ad? First of all, let’s start with the symbolism of plugs and outlets. While the women are represented by white outlets of pure vacuity, the man is represented by a black plug. As something that can fill up holes, a plug is an aggressive phallic object. The black color connotes that its power is a negative, dangerous one. This is actually not a bad symbol for the sort of domineering, sexually aggressive man who is assumed to be battering the female consumers of this ad.
While the man=black plug equation works well, the symbolism for women in this ad is problematic. Women are represented as white outlets. Outlets are holes that wait on the wall for something to be stuck into them, or, in other words, to be used. The symbolism of the outlet implies that women are passive, exploitable victims, even if they are held in esteem by men as Friend or Better Half. The color white also brings to mind purity, innocence and emptiness, which makes women not only actionless and limp, but also blank and lacking in substance. So, basically, according to this ad, women are full of negative connotations.
You could argue that it is only the male abuser sees women as white outlets full of negative connotations, but that’s not precisely what the ad says. Remember that the ad text states that it is showing how “some men” perceive women. “Some men” think that women are just Vaginas. But, the ad implies, there are other ways for men to perceive women, as indicated by the alternative white outlets. However, please notice how the whole grouping of outlets is NOT a subset of a wall containing a myriad of outlets including Sister, Mother, Grandmother, Aunt, Cousin, Acquaintance, Role Model, Goddess, Fag Hag, Medium, Dominatrix, Object, Pest, Earth Mother, Bluestocking, Dyke, etc., etc. The whole grouping of outlets is neatly centered in the photo, arranged so that it forms a discrete, total, complete set. The ad, in effect, says that these 14 ways are the only ways in which men can perceive women. So, to get back to my topic sentence, it’s not just the male abuser’s view that women are a yawning void of quiescent, dependent boringness; it’s ALL men’s views of women. Even the perspective labeled Confidant is still, yes, a white outlet, meaning that even the more positive views of women in this ad are contaminated by the demeaning, infantilizing symbolism.
The underlying structures of this ad are bad enough, but even the surface messages are blatantly misleading, overly specific, confusing and just plain wrong. For example, the fact that there is just one plug in the Vagina outlet suggests that ONLY those men who see women as Vaginas abuse women. Also, the fact that the plug is in the Vagina outlet, denoting a sexual orifice, defines sexual abuse as the only type of abuse extant. First, men who see women as Concubines and Cover Ups and, yes, even Wives, also abuse women. Second, there are more types of abuse than just sexual abuse. Am I the only one who is revolted by the casual use of the term Punching Bag in this ad? The fact that the Punching Bag outlet does NOT have a plug in it seems to imply that men who see women as Punching Bags, that is, men who hit women, do not abuse women, since abuse, according to this ad, does not include hitting. This ad has an extremely narrow focus that seems to exclude verbal abuse, emotional manipulation, assault and other forms of abuse besides sexual, not to mention abuse of wives, friends, friends, prostitutes [Concubines], children, elders, basically any woman who is not listed among the outlets. What kind of abuse is this ad thinking of, then? The kind where a stranger attacks and rapes an unknown woman? Such cases form a statistically small percentage of abuse cases. You are much more likely to be abused by someone you know, a relative, friend or acquaintance. Nowhere does the ad accommodate this brutal reality.
Imagine the effect of this ad on the target population: a woman who has been abused. I can envision a woman whose husband jealously controls her phone calls, yells at her when she burns toast and hasn’t had sex with her in two years because he’s been having affairs. This woman is in an abusive situation, but it is quite possible that, thanks to this stupid and confusing ad, she might not call Kabayanihan to get the help that she desperately needs. The ad is clearly talking about men who sexually objectify women as Vaginas, but our hypothetical viewer doesn’t think that designation applies to her, first, because she’s obviously a Wife and, second, because her husband has not had sex with her in two years. Also, because the ad speaks of “men” in general as the perpetrators, when in reality the perp is usually a friend or relation [thus the violence could more properly be called “domestic”], the hypothetical viewer may feel she is excluded because the ad is talking about strangers, not family members. The viewer hurries to return home, where her husband throws an empty beer bottle, hitting her in the head, because she was five minutes late setting the table. And another misguided ad campaign fails to reach out to the very people it’s trying to help. In fact, you could even make a case for this ad being potentially alienating, rather than inclusive.
What’s really sickening about this whole business is that this is an ad for ANTI-abuse services. The help promised by this ad is supposed to empower women [I assume] to cope with the aftermath of abusive trauma and leave abusive situations if they are stuck in them. But instead it’s just a further depressing reminder of how limiting male conceptions of women can be, how invisible domestic violence is and how helpless many women [whether they are abused or not] feel in a world where the threat of male violence against them is almost constant.
Heineken Draught Keg robo-woman ad: sexist?
I’ve never commented on ads before, although I’ve always enjoyed Ms. magazine’s back page where the inflammatorily sexist ads are rounded up for my viewing pleasure. However, I was poking around online, reading about the controversy [as, for example, on the blog of Bob Garfield, columnist for Ad Age] over the Heineken draught keg TV spot … In this ad, the robot woman supposedly does a C section on herself and brings a draught keg out of her uterus.
For the record, I would like to say that I am truly torn about the ad.
Every time I try to watch it to see if it’s sexist, I am continually distracted by the sexy, mechanically lissome forms of the robotic women. I also like the techno music, even if it’s a ridiculous ditty about popping the flip top or whatever. Anyway, after repeated viewing [for research purposes!!], I opine that the sexism in the ad does not come from the keg=uterus equation because the location of said keg is nowhere near the robot woman’s uterus. It appears to be keg=small intestines.
The sexism at work here is nothing new. It’s just your tired, old, run-of-the-mill objectification of women as inanimate objects [robots] whose sole purpose is to sacrifice their own desires so that they may cater to the tastes [for draught keg contents] of the implied male viewer. In fact, the image in the commercial of a woman emptying herself for a man while keeping a constant smile is actually a disturbing reification of many women’s experience. Socialized to abnegate themselves, women may try and try to please other people, draining themselves of energy, until they are as empty as used beer cans. While the images used here are distractingly sexy, the underlying message is a terrifying turn-off, yet another example of how Heineken’s execs underestimate their target audience [hey, hetero men, you don’t want female companionship, just a fembot-like servitor!], insult women and leave everyone feeling demoralized and worse for wear.
Or maybe it’s draught keg=abdominal cavity. In any case, as you can clearly see, it’s way too high up in her body to be the location of her uterus.
Yippee, I ordered some Supernatural!
Supernatural season 2 DVDs are coming my way with expedited shipping! I ordered them this morning. I figure that, if I no longer want them when done, I can sell them on Ebay. Since I watched much of season 1 and some of season 2 on DailyMotion, I know the plot lines, but my viewing enjoyment was marred by a) dark, grainy, small pictures, b) interruptions in video streaming and c) removal of Supernatural eps for copyright violation [dammit!]. I’d like to indulge in the eps without swearing at the computer when it stops loading at a crucial moment in the action. Hopefully the DVDs will come soon.
Tool for finding negative or neutral Ebay feedback
The feedback collections on Ebay are a great record of a seller or buyer’s overall trustworthiness, but Ebay does not allow users to analyze the feedback to best effect. For example, there is no easy way to find negatives or neutrals through the Ebay site proper. But this Web site, Toolhaus, has a tool that allows you to pick out bad feedback. You type in the Ebay ID and check the results. You can find bad feedback given and bad feedback received.
StoryCorps: Amateur interviews and the stories therefrom!
StoryCorps is a neat project aimed at tapping the oral history of the nation. At mobile booths around the country, almost anyone can schedule time and record an interview with a friend or a family member about…almost anything. I have listened to two stories so far, and I will be checking out more. Here a man talks about saving his friend’s little brother from the train tracks. Very dramatic! Here a Vermont lesbian couple are talking about their 30-year partnership and getting civilly united. Their happiness, after all these years, is still infectious.
Bonus: Here are two women talking about being identical twins, dispelling some stupid assumptions about their relationship and being very practical about the whole thing. “Being a twin was the best thing that ever happened to me! I recommend it to everyone!”
That’s just what this television needs…
More angst-ridden crime-solving goody-two-shoes vampires. Welcome to CBS’ Moonlight, starting at the end of this month, treading in a well-worn path first hewn out by Forever Knight, followed by Angel. While curious, I have much better things to do with my puny mortal life than sit around and watch a new show when it first airs. I’ll wait a while to see if it’s anything of any substance that I can sink my teeth into.
I change my hair as I change my mood.
This is Will a la mode francaise.
In a cool blue mood…
In a raccoon mood? I dunno…
Will and the kid
At the Burlington Doll Club meet today, I enjoyed seeing members that I hadn’t greeted in a while. I showed off my new Sabik, and Rosa Palomino’s YoSD Ann was interested in his hat.
Smite!
As I was unpacking my dolls, I put together a showcase for my favorite outfit.
Watch me suffer [gasp, sniff], yes, SUFFER!!
Because I’m reading My Husband Betty again, I went to Helen Boyd’s blog, thence to her personal site, where she linked to media appearances. From there I hit upon a clip from All My Children in which the transgender character goes to a transgender support group. Betty is in the clip, which is why the clip was linked from Boyd’s site.
I have mixed feelings about the clip. On one hand, I appreciated the presence of all the other support group members, who were transgender activists and authors, appearing under their own names. I think that it’s important to show all types of people in media so that all types of people can identify with the media figures. Furthermore, I also think it’s important that all types of people be shown not as sicko freaks, but as happy, well-adjusted individuals, which all of the activists appearing under their own names appeared to be.
That being said, the clip really blew my mind because there was such a difference in presentation between the AMC trans woman and the trans activists. The trans activists, if anything, underplayed their roles, with a very matter-of-fact, level tone and no histrionic affectation, which gave the support group scene a very naturalistic air, as if the viewers were eavesdropping. By contrast, the AMC trans woman was a barely coherent pile of melodramatic jelly [behaving like the subject line], in the manner of all soap operatic characters when they are on the edge of something momentous [which they always are]. The acting style of the person who played the AMC trans woman did not fit with the rest of the players in the support group scene, which distracted me to no end.
Perhaps I shouldn’t say that the AMC trans woman’s character did not fit into the support group scene. After all, the AMC trans woman’s character is a soap operatic type, and this is a soap opera. Therefore, with the insertion of an underplayed, naturalistic scene with well-adjusted individuals, the support group scene and the well-adjusted trans activists are the things that do not fit in the soap opera. Soap operas thrive on ostentatious suffering and angst, sad endings, bad turns of events. I think the goal of trans inclusion is laudable, but it’s hard to make trans people look happy, healthy and productive when the TV universe into which they are being introduced makes EVERYONE look miserable, perverted and stunted. So is it really much of a step toward trans understanding, inclusivity and tolerance to turn them into hammily degraded victims, just like almost everyone else in soap operas?
Internet Public Library
At the Internet Public Library, you can do everything that you would do at your usual public library: read fiction, join a book group, find tax forms, do research. Only here, it’s all virtual. IPL organizes the many online atlases, books, reference Web sites, etc., into an easily browsable, subject-based format so that you can more easily find what you are looking for. Your local public library or university library or corporate library may have a similar site, but IPL is open to all users.
HAH!
On podcast 45, in response to a woman who thinks that S&M represents emotional disability and mental sickness, Dan Savage points out that S&M is PLAY, and he says, “What S&M is is cops and robbers for grown-ups without your pants on.” Now I’m just imagining law enforcement professionals chasing crooks out of a bank in a completely serious context, except all parties are lacking pants. :p
Retro views of the future
I enjoy Paleofuture, an intelligently organized blog highlighting outmoded views of what people in the past thought the future would be like.
It’s all the same character… Gareth –> Will
Dull comparison for no one except me. Here’s a photo of Will next to a picture of a story character that I drew about 7 years ago. The character was originally invented about 12 years ago, and I’ve been pursuing his likeness for over a decade.
Will and my music box
Now that I’ve moved to an apartment with more than two rooms, I have an improved set-up for photographing my dolls. My desk now sits in the living room with a filled-in fireplace to the left and two windows to the right. The wealth of natural light + white walls provides soft tones and bright colors, in contrast to my previous apartment, where yellow walls + way too much daylight produced overly warm tones and yellowy colors. These pictures were taken at about 5:15 PM.
Will is listening to my music box, which plays Fur Elise. He is wearing a hat from a My Friend Becky doll. His shirt is the I.B. Hunter default. His skirt is a peasant dress fitted for Doll More Model Dolls. His socks are Friend Gretel’s defaults. You can see how I heat-cured the fingers of his left hand into a cupping posture.
Herds of words for nerds
Blog for language nerds: Language Log. This site appears to be an eclectic mix of etymology, observation of word use in the wild, history, misconceptions, etc.
Mannequins moving in…
I don’t care about the band or the song, but the cinematography and use of shadows here in this Inverse Order music video demonstrates just how expressive and unsettling mannequins can be. I need more mannequins [with heads!] in my life.
Where the shipping is more than the book price…
While I do patronize my local, independent booksellers, if I want a used book, I am much more likely to go to half.com. Why? Because I can often find ridiculous deals where the shipping price is much greater than the book’s price. Witness my recent haul.
Just to provide some context, the first three are scholarly treatments of sexuality and courtship in historical America, soundly written, well-respected titles, you know, the sort that cost half a hundred dollars when they first come out. They owe their disgusting cheapness, I assume, to their promulgation [hence quick use and discard] as college course books. The last is the aforementioned book My Husband Betty, which, as a popular, recent trade paperback, is significantly more expensive. Note, however, that shipping still makes up more than 50% of the costs.
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Twilight Zone boxed set!
All in one set, the entire run of the original Twilight Zone for your viewing delectation!
She’s Not The Man I Married (sequel to My Husband Betty)
I didn’t know, but Helen Boyd wrote a follow-up to My Husband Betty. The follow-up, She’s Not the Man I Married, chronicles her husband’s transgender transition. [I think…I haven’t read it.] I may have to look at it.
Her mother called her Mary, but she changed her name to Tommy…
She’s the one!
She went and joined the army, passed the medical…don’t ask me how it’s done!
She’s got medals…
–David Bowie, She’s Got Medals
That’s one of my most favorite songs ever, especially the bouncy tone in which it’s sung. It’s from his early years, when many of his songs sounded like nursery rhymes or children’s play songs, even as they addressed child rape and murder (Please Mr. Gravedigger), sexual masochism (Little Toy Soldier), depressed veterans (Little Bombardier) and stupid people using drugs (Join the Gang). He was just around 20 when composing and singing most of these songs, and he just sounds so gleeful about the whole business.
Oh right…I was going to write about a blog I found. First off, let me recommend Helen Boyd’s book, My Husband Betty. It’s about her relationship with her cross-dressing husband. I think this is one of the strongest books on sexuality that I have ever read because the author describes her ambivalence very well, as well as her confusion about the sex and gender significance of cross-dressing. Also, she writes strongly, with psychological and critical insight, not to mention emotional balance, even as she describes emotional tumult. Anyway, she has a blog, (en)Gender, about trans news and debates and media and topics, and I’m poking in it now.
So there are your three recommendations for today: She’s Got Medals by David Bowie, My Husband Betty by Helen Boyd and (en)Gender, also by Helen Boyd.
Lars and the Real Girl
…is about a guy with a Real Doll and his brother and sister-in-law who are worried about him. The preview plays it as a comedy about a delusional, immature man who needs to migrate from silly, lifeless toys to much better real-life people.
Plot-wise, that’s the least realistic thing imaginable. From my research [see documentary Guys and Dolls here] and experience, people who are that into dolls, especially sexual substitutes, usually pursue this interest because a) they’ve have bad experiences in the past with women or b) they actually aren’t interested in real women. In case a, they’ve turned away from interactions with real people, and they are not likely to turn back because they are soured. In case b, they fashion their experiences with love dolls to such an idealistic extent that no real women would ever satisfy them in the same way. All of this is to say that, if this were a realistic movie, the man would probably get a girlfriend who would break up with him because of his RealDoll, and he would return to the RealDoll, soured and even more intent on remaining with his safe, plastic toy.
That said, I’m very curious about the movie. While playing for obvious laughs, the preview seemed to treat all characters with respect. Hmmmm…
S&M Couple Won’t Stop Droning On About Their Fetishes
Hah! I know people like this. Not me, though. I just drone on about Labyrinth.
Labyrinth Lite part I: Go see it!
Witness the paltry fruits of last night’s labor here. It’s Part I of my stoopid Labyrinth parody, slightly rewritten by me, animated by Meez [I’ve made 105 at last count, but they aren’t all in this short], set to the tune of clips from the Labyrinth soundtrack. Parts II and III are done, waiting for upload, and I have plans to do the rest of the movie. I don’t promise that it will be more than mildly amusing, but it will be a good killer of half an hour.
P.S. If you do watch it, leave a comment and a rating [on the Google Video site, not HERE!], will ya?
All I want to do is to control little people!
I wonder if iClone software really works as it claims to… It says that its features include 3D character construction, clothing, prop building and placement, set generation, character movement and animation and sound import, all so a person can make little CGI movies.
The engineering failure of Dykedolls
If each 12″ alterna-fashion Dykedoll comes ready to play with a dildo, harness and vibrator, but she is articulated only at the shoulders and the wrists, how is she supposed to use her accessories? HOW?
Another preview of my movie: Sarah
Sarah realizing it’s 7 PM and she stayed out too late and she has to babysit, so of course she says her favorite phrase, “IT’S NOT FAIR!!” Shut up, you whiny bastard.
Labyrinth animations
Holy fork, I’m clearly a) brain-dead and b) obsessed with Labyrinth. I just made about 50 [?] Meez animations of Jareth and Sarah so I can create a little version of Labyrinth. Preview below of Jareth doing what he does best: playing with his balls. This should tell you what kind of movie I’m making.
In my wildest dreams, the version will consist of GIF animations [thank you, Meez] and interstitial text, as in a silent movie, and clips from the appropriate songs in the background. I’ll settle for GIF animations and interstitial text, however. Watch my blog for further information about stupid animations. Labyrinth Lite — that’s what it should be called. Although there are a bunch of Meez music videos on Youtube, I’m fairly certain that the makers of this program did not envision people hacking out ridiculous little movies from it.
Psychjourney podcasts
I enjoy psychology, cultural analysis and subjects of mental health, so I was excited to find out about Psychjourney. I just sampled one of the site’s podcasts, an interview with Courtney Martin, author of Perfect Girls, Starving Daughters, an Interesting subject, but the audio was echoic and blurry, and the interviewer’s voice was too measured and soporific. Another randomly sampled podcast on body dysmorphic disorder, suffered from the same problems.
The jury’s out on whether I recommend these because they provide substantive overviews of interesting topics (auditory hallucinations, compulsive hoarding, rumor and gossip), but the audio quality is mediocre. It’s like listening to a low-tech tape of someone’s phone conversation. Why don’t you try one out and see if you can stand it? I know that I will be dipping into a few subjects of interest before blowing the site off entirely.
Perfection and exhaustion: Courtney Martin’s Perfect Girls, Starving Daughters
Does this sound like you: Female, age 18-28, told you can have it all, convinced you need to save the world AND take care of your friends AND your family AND your body, andover-achieving person who’s constantly striving to look better, smiling to the outer world, hitting the gym every other day, reading the latest self-help book [outwardly mocking but secretly listening to it], going vegetarian for health reasons…only to throw up your hands in exhaustion, eat an 8-ounce rare dead animal, despair at the hope of ever getting promoted, wish you could just have some hugs, nix the family reunion because you really can’t stand your great-aunt, feel sick and tired of your personal responsibility to be eternally successful and put together… Blogger [for Feministing] Courtney Martin’s new book, Perfect Girls, Starving Daughters, talks about the widespread struggle between perfection and exhaustion experienced by many contemporary bourgeois women.
Ignore the categorization and ads for this book that say that it’s all about eating disorders. From what I can tell, the book appears to address the larger issue of young women’s anxious relationships with their bodies. Super-achieving feminist go-getting vies within us against secret tiredness and desires for affection and peace. I saw a clip of her reading about the perfection vs. exhaustion struggle, and I thought that it had greater applicability than to just those women who have eating disorders. The internal strife she was writing about can be found in many current bourgeois women’s lives.
Perhaps I’m particularly interested in it because I’m trying to pack and simplify my belongings and write a book and do seven hundred and eleventy-five book reviews and do all my occupational work and ensure a raise and eat right and sleep tight and keep the bedbugs from biting all at the same time…anyway, I think I’ll check it out…after my nap [hahah!].
With all the preparations for moving…
…and all the book reviews I’ve been writing and all my other obligations, I’m starting to feel like a reanimated corpse:
This is about as animated as I get these days:
Unfortunately, even though I feel like death warmed over, I do not even have the consolation of cool hair, cool make-up or cool clothes as demonstrated on the avatar. This is probably why I like the Meez program. It has a large array of facial features, costumes, backgrounds and animation, which offer extensive online customizing possibilities. Furthermore, Meez are larger than, say, pixel dolls, and, unlike, say, Zwinkies, they do not contain any downloadable spyware. They’re also 85% free, although some cool shit, such as thigh-high boots, costs money. Thigh-highs aside, though, Meez provide an amusing outlet for the brain-dead.
Meez avatars: Jennifer’s other hobby
In her spare time, Jennifer also keeps compact, detailed notes of everything in her memorandum book.
Meez avatars: Jennifer off the clock
When she’s not cooking, cleaning, maintaining the limo or otherwise running the mundane details of Frank’s life, Jennifer likes to ride her mountain bike around Burlington, Vermont. Unfortunately there was no option to add a bike helmet, which she would not be caught dead without!
Meez avatars: Jareth in the Escher room
Here’s my closest approximation of movie Jareth… Amusingly enough, the chair and cane come from a set called “Pimp Throne” and his pants are wet suit pants. Not that you can tell… Non-animated picture here.
Meez avatars: Frank at home
In a more casual setting, Frank designs clothes. That really is what his bedroom looks like inside my head. Animation below. This shit cracks me up for some reason.
Meez avatars: Frank copping ‘tude
I did these a while ago, but couldn’t upload them until now. Witness Frank in his element, makin’ faces.
Look, ma — no [human] hands!
I did some dolly wrasslin’ after work today, using 18 gauge plastic coated steel wire to thread through Will’s arms. Since I had trouble getting one piece of wire all the way through both arms and the torso cavity [daunted by the curving holes in his upper arms — who thought that was a good idea?!], I ended up using two pieces of wire. One piece goes all the way through his left arm and out his right shoulder hole, down his right upper arm, while the other runs from his right forearm to his right upper arm. Now he can achieve the following poses without aid from me.
B (.) (.) B S!
The much-enhanced Sabrina Sabrok looks like a CG 2.0 with a Bloody Rose body, especially in this photo. [Also here — I really like this photo, actually, mostly because of the combo of flagrantly orange hair + black vinyl.] Part of me is pleased that this freakish body shape appears on a real, live human being, while part of me is repulsed by the unnatural sphericality of those…growths…on her chest.
Journal of Mythic Arts and more fairy tale studies
recommends Endicott Studio, a site containing said Journal of Mythic Arts, an online periodical devoted to luxuriating in fairy tales and analyzing them. I love scholarly online sites. They make me feel smart.
LOLBuffy
Sites like this push me that much closer to making a LOLbyrinth blog, which is pretty much what I do in my spare time anyway: make stupid captions for movie stills.
Reshaping resin hands
Frank's in pieces all over my desk and bed right now because finally, after a wait of over a year, I finally have a bulkier, larger set of double-jointed arms, more in proportion with his body, than the defaults than came with the Doll More Model Doll girl body. Yes, the TwigLimbs arms have arrived, and I'm pleased with them.
has balanced an intimate knowledge of musculature and solidity with a pleasingly realistic style. Pictures below.
An hour with the hair dryer on high [half an hour for each hand] produced these results for Frank's new TwigLimbs hand and Will's left hand. To change the position of fingers, I placed the offending fingers right against the dryer nozzle and left them there for about 30 seconds. The resin then grew pliable, Soom's more quickly than the TwigLimbs, probably because the TwigLimbs are denser. I then removed the digits from the heat and pushed them into the position that I wanted, using medium hard pressure. I then held the hand in its new position until it cooled. I repeated the process several times, pushing the fingers toward their final position in stages because I did not want to risk overheating the fingers and melting them or pushing too hard and breaking.
In the case of Frank's TwigLimbs, twigling made a beautifully sculpted and accurate set of hands for her limbs, but I disliked the hyperflexion of the left fingers and the crumpled-up pinky. I reformed the fingers into a more relaxed, less tense posture. Compare the modded version on the left to the unmodded version on the right. The angle between the thumb and the first finger is also smaller.
No comparison pictures for Will, just an illustration below of what his newly curved fingers can do. Before he couldn't even hold a Tarot card, but now he grasps my tweezers without dropping them. I may press his thumb and forefinger closer together so he can hold smaller objects.
I really need to get some more elastic to help restring Frank's arms and also some wire so I can stiffen Will's elbow joints and really make him cross his arms and touch his face without support.
Stardust: downed by queeny pirate?
As much as I like a good polymorphously perverse pirate [lookin’ at YOU, Captain Jack Sparrow!], the appearance of such a character type in Stardust worries me exceedingly. I wanted to go see this high fantasy fairy tale…until I heard about Robert DeNiro playing the sky pirate as a cross-dressing ham. Well, okay, the presence of a cross-dressing ham doesn’t scare me away so much as does this quote, from a New York Times interview by Charles McGrath (New York Times, August 5th, 2007) with the perpetrators of Stardust:
//…Tristran grows up, falls in love and has a hair and wardrobe makeover under the care of a pirate captain (De Niro) who if he’s not gay nevertheless enjoys dressing up in a tutu in the privacy of his cabin.
“I don’t know where that came from,” Goldman said in a telephone interview. “It was just one of those magic moments. Matthew and I were thinking it might be interesting if the captain was in some ways wrestling with identity issues the way Tristran is.”//
The offending comment, the one that got me anxious, is in bold. Basically Goldman’s statement can be translated as the following: “I have no idea why the sky pirate is a prissy poofter. Someone just got a silly brain fart one day and, since we were all drunk and/or hopped up on drugs, we laughed uprorariously and decided to incorporate this bit of throwaway, sophomoric stereotyping into our film because we’re self-indulgent wankers. Captain Shakespeare’s sartorial interests really have nothing to do with anything, but, since I’m being asked about it, I’ll pull an answer about its relevance out of my butt to give the illusion that we actually really planned it.”
I’m not amused.
Online annotated Little Mermaid
I’ve died and gone to Heaven. Over at Sur La Lune, Heidi Heiner has annotated a translation of Andersen’s The Little Mermaid with hypertext footnotes and explications in a fine exploitation of the online form. I’m drawn to Andersen over and over again, for his creepy sadism, self-abnegating protagonists and thoroughly gloomy view of life, so it’s always a treat to find illuminations of his stories.
P.S. For lovers of fairy tales, Sur La Lune provides interviews with fantasists, discussion boards, analyses of stories and other fascinating avenues to explore.
Vampire at night
Moping looks extra picturesque at night. Thank you, Will. Most of these photos were created by tinkering with greyscale, levels and burn/dodge around his eyes. They’re gloooowwwwwing…. First is my favorite.
Carnival of Souls (1962), or “I always knew there was something creepy about amusement parks”
Carnival of Souls does not have much going for it. There’s the cheesy title, a definite strike against it, followed closely by its director Herk Harvey, better known for making simplistic mental hygiene films designed to drum good manners into 1960s schoolchildren. Then there’s the low special effects budget, which means that the creepiest things our protagonist experiences is attack of the pancake make-up and occasional periods where the soundtrack just fades to silence.
I’m happy to report, though, that Carnival of Souls rises above these limitations to be a surprisingly effective, almost existential, horror film.
I refuse to provide spoilers, although it’s evident to anyone with half an episode of Twilight Zone under his or her belt what’s going on…and I think Twilight Zone is the key reference for this movie; Carnival of Souls really reminded me of that episode where that guy is alone in a ghost town, chasing telephone rings and smoking ashtrays in an attempt to find another living person. Carnival of Souls takes a simple twist and spins it out, sustaining it for an hour and a half so that it can linger on character development and mood. As Carnival of Souls dwells on Mary’s isolation and confusion, it becomes rather philosophical; she laments her inability to connect with others to such an extent that her anomie turns into existentialism. Because the viewer identifies so closely with Mary, her feelings of invisibility and pointlessness become ours. The movie seems to point out that you can’t outrun death; you can’t ignore it; you must face it, recognize it, because it’s the only thing that gives our lives boundary and poignancy.
Das Kabinett des Doktor Caligari: The Cabinet of Doctor Caligari
Since most of my movies are packed in preparation for my move, I’m watching movies through my compooper. The latest…An earlier example of German expressionism than Nosferatu, The Cabinet of Doctor Caligari (1919), directed by Robert Wiene. I highly recommend it because a) it’s the prototypical horror film, involving murder, twisted psychology and the analysis thereof; b) it really exploits the form (black-and-white) to heighten the delirious, dream-like atmosphere; c) it’s a well-done classic.
The Cabinet features the magical mountebank Caligari who commands a clairvoyant murderous somnambulist Cesare. When Cesare correctly forecasts Francis’ friend’s death, then tries to run away with Jane, Francis’ fiance, Francis pursues Caligari. Cesare dies along the way, while murder, confusion and doubling take over, not to mention all the crooked doors. The entire set is askew, which, along with the half light/half shade dichotomy of the lighting, makes the film look like a disturbing dream in which even gravity doesn’t work right.
I’m a bit fuzzy on the plot, with its multiple layers of mania and mistaken identity, but I do like its examination of the man called Caligari. He consciously decides to reinvent himself in the style of a mythical monk who could command a sleepwalker so that the sleepwalker acted as his golem. The motivation of the Caligari wanna-be, however, seems murkier, with sexual, even sadistic, components. When Cesare is first admitted to the mental hospital where wanna-be Caligari is the director, Caligari rejoices, caressing the inert man with a demonstrative, lascivious affection that reminds me of, say, Nosferatu reaching for Ellen. Caligari seems to want control over Cesare as much as he wishes to possess Cesare in an inert, doll-like state to care for him, objectify him and quite possibly desire him. Note that the wanna-be’s reaction to Cesare’s death looks very much like a stereotyped silent film husband’s reaction to seeing the corpse of his dead wife. I humbly submit that there are sadomasochistic homoerotic tensions at work in this film which, along with the slippage of identity, make it all the more interesting.
Nosferatu: A Symphony of Horror
Everyone go see Nosferatu at archive.org! This is a vampire film before it became a silly cliche, a vampire film before the vampires became romantic tortured souls, back when they were barely formed things out of the ooze of of our symbolic nightmares. You will not find much character depth or subtlety in this 1922 work, but you will find a steadily creeping sense of dread and a memorable exploration of what it’s like to be stalked by death. Answer: It’s freakin’ scary!
Nosferatu closely hews to the plot of Dracula, with a stupid real estate agent visiting the gloomy castle of a creepy count, who then follows him back to his homeland, killing along the way, and only the real estate agent’s wife, with which the vampire is obsessed, can stop the Black Death. Though Bram Stoker’s widow won two suits to stop distribution of F.W. Murnau’s film because it ripped off her husband’s novel, copies of the film had disseminated too widely for them all to be pulled.
Fortunately for us, the best, moodiest, most unforgettable vampire film remains in circulation today. The form — silent except for music, black and white except for blue-tinted nights and red-tinted sunsets — strips the story to its schematic, structuralist basic: a story of light and shadow. While Ellen, the real estate agent’s wife, glows in her white nightgown, Nosferatu is literally a shadow sliding across the walls, menacing innocents with his mere disembodied presence. The one-color tints for different times of day also add eerie feelings. The pale blue tint of night gives a cool, icy, drowning sensation to all scenes, while the red tints of sunset communicate alarm, sensuality and, of course, blood.
None of this color and light symbolism would work if it weren’t for the actors…or one actor in particular, Max Schrek, who plays Nosferatu. As stiff as a coffin plank, he doesn’t seem to walk or float so much as he just manifests, further away and then closer. He does very little except for looming, but he incites the mad realtor Knock to fidgeting and murder and Ellen to dangerous sleepwalking. Nosferatu’s minons, the bubbling, squeaking rats, link him explicitly with plague and, in their seething motion, demonstrate the confused panic he incites in humans. But, in a genius twist of interpretation, Nosferatu doesn’t really seethe himself. He merely exists, inexorable, quiet, pitiless, dire. While he does roam from place to place, in the end, he lets his victims come to him, for he is death, and no one can resist him.
Old pop culture analyses
See The Media and Communication Studies Site. Okay, well, they’re not really old, mostly 5 to 10 years old, but that seems like eons where such papers are concerned. All sorts of juicy stuff is linked here, including queer theory, social psychology, online communication et hoc genus omne ad infinitum. Despite the age of the material, a random sampling of links proves that most work and actually go to the content promised! Have fun.
Notes to myself: Free movies to watch at archive.org
Lesbians make you Communist.
So saith Perversion for Profit (1965), an anti-smut rant. “Newsprint filth” apparently weakens children’s moral fiber, leaving them less capable to resist the Communist threat. With a few changes in stats and terminology [I doubt the Communist menace would fly really well today], I think this content would transpose very well into anti-porn propaganda put out by, say, Focus on the Family.
I’m not going to even argue with the mindset portrayed in the film, but I do seriously question its tactics. Announcer George Putnam wants you to believe that exposure to porn corrupts innocent minds and damns people irrevocably. So why does most of the film contain examples of porm?! Following the logic of Putnam’s argument, wouldn’t these examples [even if eyes, butts and tits are barred out] corrupt at least a few innocent minds? It would be far more effective for this film to attempt to tie porn to violent crime by studying the porn habits of child molesters, serial killers, rapists, domester abusers, etc., to establish a [supposed] causal connection between newsprint filth and criminal perversion. In other words, don’t show us the perversion; show us the result!
I know people like this.
In fact, I am one. Area Man Way Too Into Local County History.
Boys Beware (1961)
So I just watched Boys Beware (1961), a mental hygiene film warning teenaged boys against “homosexuals.” My brain broke because
1. The boys in the film were so stupid, even by the standards of the day. Hitchhiking I can understand, as it was more societally acceptable, but what about hopping into a car just because some guy says he’s chasing kids on stolen bikes? Or just watching your friend hop into said car with a stranger and doing nothing, not even trying to dissuade him from vrooming off with a stranger, but only casually writing down the car’s license number? All of that is appalling ignorance that demonstrates a complete disregard for self-preservation.
2. While the film technically has a correct definition for “homosexual,” the film is only about homosexual desire in the most general sense, in the same way that a story about a father sexually abusing a daughter is about heterosexual desire. Since the film focuses on sexual predators who pursue children, any uses of “homosexual” should be replaced with “child molester.” There is no equivalence between the two terms, just a confusion on the film’s part.
3. Of all the misguided, harmful and downright wrong things in this film, a comment near the end struck me the most. The narrator says something like, “Never get into a stranger’s car unless you have your parents’ or teacher’s permission.” This sentence is the culmination of an entire film that portrays the perps of sexual abuse as predatory strangers, foreign intruders who stand in stark contrast to trustworthy parents and teachers. The film’s inaccurate conception of molesters as strangers disguises the true statistical fact that a child or teenager is much more likely to be taken advantage of by a parent, a teacher, a clergy member, a babysitter, a relative — someone familiar with the victim who abuses the victim’s trust.
Vintage short films dealing with gender roles
Looky here — a big fat juicy archive of ephemeral films, including promos, social hygiene films, educational stuff that was shown in schools, all tagged with the promising phrase “gender roles.” Archive.org has much more than such films, though; there’s also a trove of old animation, sound files and, of course, the WayBack Machine, the archive of the entire Internet. I could lose days poking through such stuff…
New arms for Frank
reports that a set of Twiglimbs arms and hands is in the mail for Frank to replace his scrawny, disproportionate defaults. How exciting!
The power of Sabik compels you!
I took pictures of Will in the areas outside around my work. He drapes so nicely on stonework and he exerts an irresistible gravitational pull on my camera. He is just as much a pleasure to photograph as Submit [Elfdoll Hana Devil], only more so because he’s bigger!
These are my favorite from this shoot because the wind in Will’s hair and the upward angles seem to give a sense of him being up high and enjoying it. You can also see the green shadows from the leaves on his face…and you can admire his swan-like neck.
Blogs to visit
Feministing is a feminist perspective on the news.
PopPolitics is serious analysis of pop culture.
A few shots from Will’s first shoot
Poor light and a wobbly grip on my camera means few good shots, but I thought I’d post them anyhow. Will does the languid, melancholy and introverted mood very well, I think. Incidentally, he is wearing a black see-through sleeveless that came with the I.B. Hunter outfit, the Dollheart Kala skirt, default black fishnets from Dollmore’s Bella Auden and Cheerydoll mixed black shit-kickers. As always, his sense of style is debatable.
Will is out for delivery!
According to the post office, he is attempting to redeliver himself to my work address, at which I am waiting excitedly. Hopefully he comes soon!
Where did they leave the notice? Mysteries of EMS…
As I was tracking my EMS package this morning, I found out that Will is in the States, apparently just waiting until my work building is open so he can come in! Tracking says that there was a delivery attempt yesterday and a notice left. Since the attempt was to an office building, my work address, I am baffled as to where they left the attempt notice. The receptionist hasn’t seen it. Hopefully Will will arrive successfully today, much sooner than I expected! I was anticipating at least 3 weeks between last payment and arrival.
Ultimate Flash Face draws mugshots
Ultimate Flash Face can help you create realistic mugshots of your characters, assuming that they have boring, short hairstyles. Below, an example.
Why yes, yes it is Will. Who else would it be?
MW’s frequently visited sites
Here are my most frequented Web destinations, ordered alphabetically. Can anyone recommend some good sites of news analysis, kind of like weekly news magazines, only less rarefied than The New Yorker and less hebetated than Time and Newsweek? Particularly intelligent pop culture blogs and tech blogs.
Boingboing for weird, amusing and useless information.
Bookfinder for tracking down used books.
Boston.com for weather and local news.
Boundless for figuring out how the other [religious] half lives.
Craigslist for offloading and acquiring crap, also laughing at the Best Of.
Den of Angels for BJD blather.
Dictionary.com for, duh, a dictionary.
Ebay for buying and selling.
Fark for incredibly stupid news and amusing Photoshops.
Google for searching the Web [including Google Images and Google Books].
Half.com for buying used media.
I Can Has Cheezburger for LOLcats.
IMDB for movie information.
Livejournal for blogging.
Men With Dolls for 1:6 doll blather.
Neatorama for weird, amusing, etc.
The New York Times for news, reviews and the lifestyles of the rich & oblivious.
The Onion for satire.
Proceedings of the Athanasius Kircher Society for weird, amusing, etc.
Salon for reviews, commentary and train-wreckingly awful advice column, Since You Asked, by Cary Tennis.
Slant for extra-snarky movie reviews.
Slate for news.
The Stranger for Dan Savage’s column and the Slog [Stranger Blog].
Webmail on my own server for E-mail.
Wired for tech news.
Word Spy for new words.
Zone of Zen for BJD blather.
Will’s final payment
I made the final installment payment on Will. $1332.80/$1332.80 is paid! 100%! No more doll debt…. Now I’m just awaiting his arrival. I wonder how long Soom takes to ship items that are all ready to go.
Will order revision
I pared down my Will order again to just the I.B. Hunter doll with outfit and a pair of underwear. New total = $1332.80, with $1097.61 paid, $235.19 outstanding.
Sci fi stories to listen to
Look into the exhaustive archives for Escape Pod and take your pleasure of the many clear, humorous, perkily read sci-fi and fantasy stories on podcast. I just listened to the amusing, low-key “Conversations With and About My Electric Toothbrush.” I’ve also finished “The Burning Bush.” It’s very dryly delivered, to humorous effect. And I know that “My Friend Is A Lesbian Zombie” will be good because its author, Eugie Foster, is an acquaintance who turns out consistently well-crafted, mythically solid and romantically tinged stories.
Duneedon is here!
In fourth grade, I watched some painfully earnest and educational sci-fi mysteries for nerdy budding journalists, Read All About It. Each 15-minute episode revolved around Chris, Sam and Lynne, 3 Canadian 11-year-olds investigating the alien invasion, captained by Duneedon the freaky floating head, in their small town. With the help of a pedantic typewriter, Otto, and a talking TV screen, Theta, they published a newspaper, The Herbertville Chronicle, as the perfect alibi for their search for Chris’ missing uncle. Inevitably, vocabulary lessons and word puzzles advanced the plot and helped them save the world. Anyway, I forgot all identifying details of the show until now…
I remember liking this show [aside from the cadaverous floating head!] because the vocab lessons played to my strengths and made me feel that my verbal intelligence was applicable and important, although I can’t say that I’ve ever used my mental thesaurus to rescue myself and a friend from a Problem Pit. In any case, if this plot summary brings back nostalgic happiness [or nostalgic queasiness, if you’re thinking of Duneedon], you can find all eps of the first season on Youtube. Here’s the first. As the theme song exhorts, "There’s a mystery to be solved / So why not get involved?"
Hah! Dead funny novelties store…
Pushin’ Daisies is a mortuary store with funeral, death, vampire, skull, etc. sort of novelties. Hooray for hearse earrings, Dios de los Muertos shot glasses, tombstone-shaped soaps and little chocolate coffins with little chocolate skeletons inside. Clearly meant for the casual cemetery nerd (viz., no serious books about cemetery iconography in “The Grim Reader” section), this is nevertheless amusing. Now, in case you want to make your own coffin, which can serve as a “beautiful blanket chest or coffee table” before holding you, you know where to buy the book.
P.S. I ordered We So Seldom Look On Love from half.com. The shipping was more than the price of the book. Half.com: where cheap-ass bibliophiles shop.
P.P.S. Because I’m in a morbid mood, today’s word is “trocar.” A trocar is a big sharp hollow needle that an embalmer sticks into a corpse’s abdomen after the blood has been replaced with embalming fluid. At first the trocar is attached to a suction pump via hose to slurp out organs and body tissue. When that’s done, the trocar is hooked up to a bottle of cavity fluid and waved around in the abdomen to fill the space where the organs were. The incision site is plugged up with a plastic plug called a trocar button. There. You should now be both nauseated and edified. I know I sure am.
Feminist dymanics of a movie about necrophilia
Kissed, the movie mentioned in my July 3rd entry, came in the mail on Monday, and I watched it. I’m only now reviewing it because I was busy priming and painting Tuesday and Wednesday.
Kissed, a closely focused movie with very few extras or characterological background, is a character study of two characters who are debatably nuts, yet perfect for each other.
Sandra happily makes love to dead guys until the arrival of Matt, an intense stalkerish type who penetrates [literally] her defenses with his combination of gentleness and slightly creepy persistence. Though he is initially curious about Sandra’s necrophilia, his curiosity consumes him, becoming a fixation. He tries to understand and get through to Sandra in ways that demonstrate his true possessiveness. Of course, in a movie where love and death are intertwined, such a conflict can only end in death for one of the characters.
Fascinatingly enough, neither Sandra nor Matt are particularly likeable. Though she uses the language of transcendence when talking about necrophilia, Sandra’s stereotyped actions during her secret childhood funerals suggest the bleak, unimaginative play of a severely damaged, possibly abused, child. The repetitive and orderly nature of the funerals makes me think of the way that kids of alcoholics or abused kids structure their otherwise chaotic lives. But I really have no idea how her family life or early experiences may have contributed to her interests, though, because, even as a child, she completely lacks social context [dangers of a small filming budget, I guess].
As for Matt, what the hell is his problem? He spys on Sandra, follows her, writes down her movements for weeks, tries to diagnose her, dresses up like a corpse [in a tux], wears make-up like a dead body, etc. Some of his behavior seems to be an extension of his med student’s need to label and understand everything, but then he too becomes pathetic when he tries imitating a corpse. When he does so, he is practically groveling, trying to get Sandra’s attention. His anxiety, combined with his escalating desperation, made me worry that he was going to rape her. [Hooray, a stalker AND a rapist.] But no…Matt has too much self-loathing for that. Instead, he turns his violence on himself, concluding that he is not good enough for her.
There’s a misogynistic undercurrent in Matt’s attraction to Sandra that deserves a separate paragraph. Matt’s stalking and notetaking are commented on by Sandra herself as his attempts to “understand” her. He wants to know her, define her, label her and confine her desires so that they do not flow toward the dead bodies, but toward him. He does not want a woman on top who is in control of herself and her desires; in fact, during their first sex scene, Matt tells Sandra to “lie back” and be “still” in the quintessential position of a passive woman who accepts male dominance. [This position is also corpse-like, which intimates that he may wish she were dead quiet and dead as well.] In the end, though, he gives up and annihiliates himself in a last attempt to fit into Sandra’s life.
Despite the inherent unlikeability of the characters, Kissed is an interesting, solid movie. It’s by no means as artistic, philosophical, psychologically profound and daring as it thinks it is, but it’s interesting and saved largely by convincing performances. The acting is all-around low-key, underplayed, even a bit deadpan [hah], which keeps the story from becoming sensationalized. The lack of extras [never have I seen a more desolate college campus] mars the realism, but also adds a dreamy, depupulated atmosphere to the story, demonstrating how much Sandra and Matt are focused on things besides the real world. The languid camera work and the poetic voice-overs add a meditative mood to the proceedings, though there are far too many fade-to-the-white-light-of-transcendent-orgasm shots. Also, the voice-overs could have been used much more parsimoniously, at the beginning, the end and during the extended childhood flashback of Sandra’s.
Apparently Kissed is based on a short story, “We So Seldom Look on Love,” by Barbara Gowdy. I’ll have to look into it. Maybe it provides some history for Sandra and Matt.
Avatar generation, Simpsons-style
The Simpsons movie has a promotional game where you can format avatars in the style of the Simpsons art. See if you can guess which of my characters is which. No cheating.
I hate priming the walls.
I also think LOLcats are funny. That is why I made this stupid cartoon.